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Movie Title: 14 Hours
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The-man-on-the-ledge theme has been old-fashioned in movies and on TV so often over the years that it has surely reached cliche state by now.

Director Henry Hathaway, however, in FOURTEEN HOURS (1951) guides the drama and urban tensions with such sure-handed craftsmanship, that this ledge jumper based film has remained almost as powerfully engrossing and suspenseful today as it was 55 years ago.

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Furthermore, Hathaway gives FOURTEEN HOURS a master’s touch by utilizing his enjoy established and innovative semidocumentary style (observe THE HOUSE ON 92nd STREET (1945) ; KISS OF DEATH (1947) ) . Thus, FOURTEEN HOURS, with its low-keyed black-and-white cinematography, effectively captures a segment of Manhattan’s dramatically restless urban world in temperamental noir fashion.

And in addition, strong performances abound.

Especially great is Richard Basehart (the cause of all the commotion) as the vexed 14hr. ledge occupant plot scheme up on the fifteenth floor of a Manhattan hotel on St. Patrick’s Day. (Actually, all this is based on a fair incident; the film realistically depicts the sensationalistic media frenzy surrounding the event, with news-starved reporters everywhere, and some coarse, insensitive behavior by numerous spectators) .

Paul Douglas likewise shines in his role as a traffic cop who tries to maintain Basehart from jumping.

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Also, Barbara Bel Geddes is impressive (and eloquently gentle) as Basehart’s dilapidated fiancee.

The many-faceted spectator emotions (some quite strong) on the street and surroundings space other limited dramas in motion.

Here even Grace Kelly makes her film debut, as a maritally unfortunate spectator observing and reacting to Basehart’s pickle above. Debra Paget and Jeffrey Hunter are also nearby.

By all means, add this spellbinding and strongly fatalistic noir to your collection. Here are 5 stars to welcome its DVD appearance in such satisfactory condition.

This cinema-verite tale of a man hovering on the ledge of a high record Novel York hotel works on all cylinders. Director Henry Hathaway masterfully weaves all the threads of the ensuing circus flawlessly. From the police operation, the media hordes, the curiousity seekers on the ground, and ultimately to the scenes on the ledge we are kept enthralled throughout. The film that this one brought to my mind is “Dog Day Afternoon” in it’s portrayal of a media circus. For this type of film to work there has to be a positive suspension of disbelief. Despite the presence of some well known actors(Paul Douglas, Richard Basehart, Agnes Moorehead, Barbara Bel Geddes, et al) we are so caught up in the emotions of the events that we are led to contain them as proper people. Film is also of interest for some up-and-coming actors who blend seemlessly into the fabric of the film(Grace Kelly, Jeffrey Hunter, Ossie Davis, Harvey Lembeck) . “Fourteen Hours” definitely rates as an unqualified success.
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