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1776 Streaming. Movie Title: 1776 Average customer review: 1776 is available for streaming or downloading. Click Here to Stream or Download 1776

Every 4th of July I peruse “1776,” the musical that has our Founding Fathers singing and dancing their arrangement to Independency, and every time John and Abagail Adams order goodbye to each other (“Till Then” and “Yours, Yours, Yours”), I glean choked up. William Daniels has his role of a lifetime as John Adams, the wrong and disliked Massachusetts delegate to the Continental Congress who is the most interested advocate of independence (“Piddle, Twiddle and Settle”) . Virginia Vestoff plays his wife Abigail, and their exchanges are based on the “Dearest Friend” correspondences they wrote to each other during the crucial summer of 1776. However, the most unforgettable performance in “1776″ comes from Howard Da Silva as Dr. Benjamin Franklin. The actor, who played movie villains for years, manages to whisper not only Franklin’s wit but also his firm concept in the current accelerate of “Americans.” Ken Howard plays Thomas Jefferson and joins with Adams and Franklin in the show’s two cutest numbers, “But, Mr. Adams” and “The Egg.” I have never cottoned “The Lees of Ancient Virginia,” the song sung by Richard Henry Lee (Ron Holgate) and where every lyric line ends with “LY,” but at the other slay of the spectrum is the chilling “Molasses to Rum to Slaves,” the song about the Triangle Trade sung by South Carolina’s Edward Rutledge (John Cullum) . The ensemble cast brings the Second Continental Congress alive, with Roy Poole as Stephen Hopkins, David Ford as John Hancock and William Hansen as Caesar Rodney standing out. Most of the cast members were in the Tony Award winning fresh Broadway cast, although Blythe Danner replaces Betty Buckley as Martha Jefferson (“He Plays the Violin”) .

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Peter Stone’s book is remarkably lawful in relating the historical events; the biggest error a historian would point to is that John Dickinson (Donald Enrage), did not reveal up the day of the crucial vote so that Pennsylvania would not extinguish Independence. But Broadway and Hollywood must be allowed to gain things more dramatic. What makes “1776″ so astounding is how it teaches history while being so attractive. The opening of the film, where the tirade by Mr. Adams against the do nothing Continental Congress is interrupted by the collective Founding Fathers jumping up and singing “Sit Down, John,” sets the tone and Peter H. Hunt’s film delivers throughout. The show’s best moment comes in “Is Anybody There? ” when John Adams, all alone in the still chamber, dreams of the pomp and pageantry of a free America.

I also have the laserdisc version, which runs 176 minutes and includes 35 minutes of material originally crop from the film, including the song “Icy, Considerate Men” and alternative shots in several sequences. While the quality of the additional material is in very shaded shape, fans of “1776″ will hold what they can obtain. Hopefully the complete film can be restored before we procure to the DVD version (hint, hint, hint) . Granted, the concept of a musical about the Declaration of Independence seems bizarre; I once blew off a chance to search for “1776″ on stage because I concept the view was unimaginative. But this is a satisfactory musical that makes the time and issues reach alive, so that even belief we obviously know the outcome, we are enthralled because it looks like Mr. Adams will never bag his Declaration adopted. If you are looking for a film to search for each 4th of July, “1776″ is the one.

First, let me say that I’m not a tremendous fan of movie musicals. However, I’ve always made an exception for 1776. I swear it’s my abiding interest in history, and in the common presentation of history, that keeps me coming befriend to this film. For the uninitiated, 1776 is the anecdote of the signing of the Declaration of Independence, and was first presented on Broadway in the leisurely 1960s. Plot in Philadelphia in June and early July of 1776, the action centers around John Adams’s attempt to pick up a reluctant Continental Congress to exclaim the 13 colonies independent of Tremendous Britain. Adams, and his allies (including Ben Franklin and Thomas Jefferson), is opposed at every step by the conservatives in Congress, led by John Dickinson of Pennsylvania. Although we know the ending, it is to scriptwriter Peter Stone’s credit that we realize things may have turned out rather differently.

My first recorded version of this movie was taped off of a local television area that had drastically edited it for length and inform. When I finally got around to buying the VHS version of 1776, I was amazed at what had been left out, particularly when it came to the earthier dialogue. Imagine my reaction to the unusual DVD director’s carve edition of this musical; it was like watching a completely unique movie. Bridging scenes that had been edited out now provide a nearly seamless account traipse, and the musical number “Frosty, Considerate Men” has been restored, providing for greater balance between the conservatives and radicals in Congress.

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The cast, a number of whom reprise their roles from the Broadway production, is nearly flawless. William Daniels IS John Adams, hard-headed, driven, passionate, “putrid and disliked”. Howard da Silva is equally effective as Benjamin Franklin, elder statesman and earthy man-of-the-world, while the rest of the actors do very well by their characters. Of necessity, the film’s emphasis is on Congress, and therefore on the male of the species; women are puny to two roles–Martha Jefferson, played by Blythe Danner, and Abigail Adams, played by Virginia Vestoff. Of Danner’s role, there is runt to say beyond the fact that the actress is a intellectual veil presence. Vestoff, on the other hand, has a rather more big role as John Adams’s wife, confidant, and sounding board. The film effectively portrays the correspondence between John and Abigail, a partnership that was, in many ways, distinguished in American history.

Director Peter Hunt keeps things animated along at a moving trail, propelled by the music of Sherman Edwards, who also wrote the lyrics. It’s hard to grasp a approved song, but two stand out in my mind–the chilling “Molasses to Rum to Slaves” and the poignant “Mamma, Explore Entertaining”. The faded underlines the flawed nature of the American Experiment–that a unique nation established on the principle that “all men are created equal” would also retain hundreds of thousands of people in chains. The latter song brings home the fact that while Congress engages in endless debates, men (and boys) are dying on the field of battle.

I could dwell at some length on the historical inaccuracies embodied in this movie–the character of Believe Wilson, for one, and that of Richard Henry Lee, for another. However, purism aside, what 1776 makes determined is objective what a finish hurry thing independence really was, that there was, indeed, a valuable proportion of Americans (and their representatives) who wished to remain true to the British crown. Better yet, the Founding Fathers are portrayed mot as marble men, but as the passionate, flawed, flesh-and-blood individuals they were.
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Stage Beauty Streaming. Movie Title: Stage Beauty Average customer review: Stage Beauty is available for streaming or downloading. Click Here to Stream or Download Stage Beauty

Perhaps concept patterns are changing and prejudices against pleased characters are indeed abating. At least hearing the audience delight after viewing STAGE BEAUTY makes a case for more mainstream male actors to shed the apprehension of taking on roles that feature gender and sexuality variations: Russell Crowe, Colin Farrell, Tom Hanks, Matt Damon, Antonio Banderas, Javier Bardem, Rodrigo Santoro, Gael Garcia Bernal, et al have all performed sensitively as glad men despite their macho image – the once little list is now respectably astronomical. And now add Billy Crudup and Ben Chaplin to that ever-growing list. Bravo to that change.

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STAGE BEAUTY (in the screenplay version of his beget play ‘The Compleat Female Stage Beauty’ by Jeffrey Hatcher) is plot in the mid 17th century with all the frills and foibles of British dandies and ladies visually intact. This is the time when female roles were assumed by male actors (the theater was simply no spot for ladies to participate) and we are introduced to Mr. Kynaston (in a quick-witted, multifaceted performance by Billy Crudup!) as he portrays Desdemona in Shakespeare’s ‘Othello’. He is attended by a dresser Maria Hughes (Claire Danes, another superlative acting achievement) who longs to act and steals away after performances in the theater bustle by actor Betterton (Tom Wilkinson) to a tavern where she assumes the memorized roles Kynaston performs on the royally popular stage.

Kynaston has been raised to report women on stage (and indeed in life) and responds to men as a woman (his lover is the Duke of Buckingham – Ben Chaplin) . King Charles II (a thorough-going hilarious scuttle for the gifted Rupert Everett) is convinced by his tart du jour to allow women to play women’s roles on the stage, thus dethroning Kynaston as the actress of the time, driving him into tawdry masquerades in pubs after a severe beating from thugs beckoned by the bloated Sir Charles Sedley (Richard Griffiths) . Maria Hughes thus becomes the first ‘compleat female actress’ and this transition between Kynaston and Maria results in desperate tutoring lessons before Maria can play Desdemona for the King. For the first time in his life Kynaston must request his occupy sexuality and his successful final curtain after playing Othello to Maria’s Desdemona gratefully leaves that choice up in the air.

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The script is a delight, the actors are all first rate, especially the wholly immersed Crudup and Danes who could well be fraction of the Royal Shakespeare Company, so stunning is their British sound, demeanor, and Shakespeare! The supporting cast is a kaleidoscope of jewel-like performances from Everett, Wilkinson, Edward Fox, Hugh Bonneville among others. The mood is appropriately British – all dim, candlelit stagecraft and foggy marsh vistas – and the music matches the overall describe. Richard Eyre has directed a film that deserves many kudos, but the main glory should shine on his ability to discover the spectrum of gender and sexuality with dignity, intelligence, and grand sensitivity. A welcome delight!

I saw this film the evening after seeing Being Julia and thoroughly enjoyed both. Remarkable of Stage Beauty is based on historical material which Helen Wilcox examines in Women in Literature in Britain, 1500-1700. Jeffrey Hatcher’s screenplay is based on his gain Compleat Female Stage Beauty, a play first performed in 1999. We know that Edward (Ned) Kynaston (1640-1706) was among the last and reputedly the best of the male actors of female parts in dramas performed prior to the Restoration period. Following his coronation, King Charles II decreed that females would be permitted to appear on stage in roles previously performed only by males. For many male actors, the subsequent transition was very, very difficult. There are sure parallels with the difficulties that stars such as John Gilbert had during the transition from mute films to “the talkies.”

What we have in Stage Beauty is a toothsome presentation of that age and, more specifically, of Kynaston’s struggles (brilliantly presented by Billy Crudup) to get his career in juxtaposition with those of his dresser Maria (Claire Danes), an unskilled but aspiring actress, who seeks Ned’s tutelage to approach her acquire career. Frankly, I did not immediately gawk the always-superb Rupert Everett in the role of Charles II. Others in the supporting cast include Ben Chaplin (as George Villars, Duke of Buckingham) and Tom Wilkinson (as Thomas Betterton) . Historically, Betterton was once highly praised for his performance in Shakespeare’s Othello…in the role of Ophelia. In Stage Beauty, Kynaston plays Ophelia to Betterton’s Moor of Venice. After Kynaston rejects the advances of the lecherous Sir Charles Sedley (Richard Griffiths), Sedley hires thugs to beat Kynaston so severely that he can no longer create until his wounds have healed. Maria sees an opportunity, organizes what I guess could be called an “underground” performance of the play, and assumes the role of Ophelia herself. After seeing her performance, Charles II issues his proclamation and then….

Credit director Richard Eyre with obtaining expedient results from his talented cast and crew. Simulating London in the 1660′s was indeed a major task, achieved brilliantly by cinematographer Andrew Dunn, production designer Jim Play, and art directors Keith Slote and Jan Spoczynski. Of course, many of the humorous devices in both Hatcher’s play and in this film can be traced succor to classical Greek and Roman comedies, with the female roles in all of which performed by males. For example, all manner of mischief is achieved through erroneous identity, role and gender reversals, double entrendres, interpret disguises, no sequitors, etc. The highly literate screenplay invests the nimble anecdote with style and grace as Ned and Maria move to the inevitable, indeed obligatory resolution. Broad fun! Those who fraction my high regard for this film are urged to check out Victor/Victoria and Tootsie (in 1982) as well as Shakespeare in Cherish (1998) .

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Resident Evil: Apocalypse Discount. Compare & Purchase Resident Evil: Apocalypse at Amazon by clicking here! List Price: —- Amazon Price: $9.99 Click Here To Purchase At Amazon!

Resident Evil: Apocalypse Description:

• Amazon Sales Rank: #12959 in Movie
• Released on: 2009-12-11
• Rating: R (Restricted)
• Running time: 95 minutes

Customer Reviews:

Boxset Contains SPECIAL Edition…NOT DELUXE (New One)
this contains the old version of the movie with the red cover, not the newer and better deluxe version with the green cover.

Great zombie movies, no more and no less.
I feel that both of these films are somewhat underrated. They were hurt by critics who sort of missed the point and by video gamers who expected them to be carbon-copies of the games. They are, simply, very good zombie movies – lots of campy fun, great action, and even some genuine scares. They’re just fun to watch, and one of the big reasons for that is Milla – who looks great and is just perfect for this role, simultaneously strong and vulnerable. (An earlier review said these were among her first films – in fact, she has been acting since 1991, when she famously appeared nude at age 14 in “Return to the Blue Lagoon”. She is a veteran actress with nearly 20 films to her credit.)

It is true that these films don’t do much that’s new with the genre – if that’s what you’re looking for, see “28 Days Later” instead. But the Resident Evil films do the traditional zombie genre as well as any film has recently, with great special effects (these were big-budget films), good acting and a lot of action.

If you played the video games… you’ll love the movies!
Not many video game based movies turn out well, but Resident Evil is an exception to the rule. The second rule is that a sequel is never as good as the original… Apocalypse breaks this rule. Although losing Michelle Rodriguez was dissapointing, the second movie obviously has a bigger budget and really lives up as a sequel. Now.. this movie IS based on a video game.. so if realistic plots and the norm is what you expect, you won’t like this movie. But the original video game scared the bejesus out of me at the time and the movie sticks true to the game… especially the zombie dogs!! So have fun with these 2 movies, and they will prove to entertain you for sure!

Resident Evil: Apocalypse Review. Compare & Purchase Resident Evil: Apocalypse at Amazon by clicking here! List Price: —- Amazon Price: $9.99 Click Here To Purchase At Amazon!

Resident Evil: Apocalypse Description:

• Amazon Sales Rank: #12959 in Movie
• Released on: 2009-12-11
• Rating: R (Restricted)
• Running time: 95 minutes

Customer Reviews:

Boxset Contains SPECIAL Edition…NOT DELUXE (New One)
this contains the old version of the movie with the red cover, not the newer and better deluxe version with the green cover.

Great zombie movies, no more and no less.
I feel that both of these films are somewhat underrated. They were hurt by critics who sort of missed the point and by video gamers who expected them to be carbon-copies of the games. They are, simply, very good zombie movies – lots of campy fun, great action, and even some genuine scares. They’re just fun to watch, and one of the big reasons for that is Milla – who looks great and is just perfect for this role, simultaneously strong and vulnerable. (An earlier review said these were among her first films – in fact, she has been acting since 1991, when she famously appeared nude at age 14 in “Return to the Blue Lagoon”. She is a veteran actress with nearly 20 films to her credit.)

It is true that these films don’t do much that’s new with the genre – if that’s what you’re looking for, see “28 Days Later” instead. But the Resident Evil films do the traditional zombie genre as well as any film has recently, with great special effects (these were big-budget films), good acting and a lot of action.

If you played the video games… you’ll love the movies!
Not many video game based movies turn out well, but Resident Evil is an exception to the rule. The second rule is that a sequel is never as good as the original… Apocalypse breaks this rule. Although losing Michelle Rodriguez was dissapointing, the second movie obviously has a bigger budget and really lives up as a sequel. Now.. this movie IS based on a video game.. so if realistic plots and the norm is what you expect, you won’t like this movie. But the original video game scared the bejesus out of me at the time and the movie sticks true to the game… especially the zombie dogs!! So have fun with these 2 movies, and they will prove to entertain you for sure!

Things You Can tell Just by Looking at Her Product: Things You Can tell Just by Looking at Her Lowest Price! List Price: —- Amazon Price: $2.99 Click Here To See Amazon Sale Price Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available

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• Amazon Sales Rank: #129 in Movie
• Released on: 2008-05-15
• Rating: PG-13 (Parental Guidance Suggested)
• Running time: 110 minutes

A fascinating character study from Rodrigo Garcia
I stumbled across this film on cable and was drawn by the cast, as most people would be when they see this impressive roster of actresses. I must have seen the title of this film, but really did not pay attention to it. Of course, the title is key to this “anthology” field written and directed by Rodrigo Garcia (yes, believe it or not, this film was created by a male of the species). I picked up on this just by noticing how the first “segment” has Christine (Calista Flockhart) give Dr. Keener (Glenn Close) a tarot card reading while the second has Rebecca (Holly Hunter) a series of similarly disquieting encounters with a bag lady (Penelope Allen). Of course, the “who” and the “how” of the “just by looking” is different in each segment of the film, which is just part of the creative brilliance of this film.

“Thing You Can Tell Just By Looking At Her” is not one of those films where the pieces all fit together (e.g, is Robert married to Rebecca’s doctor?), although the ending does try to suggest that each of the five main characters (add Kathy Baker as Rose and Amy Brenneman as Kathy to the above referenced actresses) have crossed a major bridge in their lives. Most of the characters appear in more than one segment, symbolism the inherent resonance between segments, and I liked the way one of the characters was both a “looker” and a “lookee” at different times in the film’s narrative web. Another major strength of the film is how Garcia always goes off in an unexpected and unusual direction throughout the film. You are constantly surprised by what is happening, not to mention what is being said, which is often outrageously compelling.

Garcia is the son of Gabriel Garcia Marquez, the Columbian writer who earned the Nobel Prize for Literature in 1982. I am sure that bit of biographical information helps to explain why Garcia crafted such an exquisite little film, but do not ask me to articulate why in any comprehensible way concerning the old nature verus nuture argument. The performances are uniformly superb: Holly Hunter was nominated for an Emmy, simply because this film was sold to Showtime instead of getting a traditional theatrical run. Hunter does have the best acting moment in the film, a scene in which she walks down the street (you will know it when you see it). Much was made of Cameron Diaz’s performance as Carol, the blind sister of Kathy, but I recognized a while ago that Diaz is a “former model” who takes her acting craft and film choices very seriously. I think Calista Flockhart might be the actress who most impresses you. But as much as you will be impressed by the performances of these outstanding actresses, you have to be even most impressed by writer-director Garcia.

I am so glad I stumbled across this film. It has been quite a while since I have been this impressed by a film. I need to go check out more “independent” films, that is for sure.

Extraordinary little movie
One evening in the spring of 2000, I was at the movies and saw a poster for Things You Can Tell Just by Looking at Her. What an interesting title, I thought. And what a cast! I put the movie on my mental list of ones I planned to see. It never played at that theater. It never played in any theater in North America, although it was released in Europe, South America and Japan. Instead, it was sold to a big cable TV movie channel. MGM decided that it was too small a film for American audiences. I think their decision was unfortunate. Many movies intended for a limited audience have successful theatrical runs, and as so-called small movies go, this is an awfully big one. I hope it finds the audience it deserves on video.

Things You Can Tell Just by Looking at Her does not have a conventional plot. It is five stories or vignettes loosely tied together. As the title implies, they are about women. In the first one, Glenn Close plays a doctor who is successful in her professional life but not in her personal oen. Her rather cold exterior masks the fact that she is starved for affection. It is Close’s best role in years. Next we meet Rebecca [Holly Hunter], a bank manager on the edge of forty, whose almost casual decision to have an abortion leads to unexpected emotional complications. There is Rose [Kathy Baker], a single Mom who writes children’s books and who does her best at raising her precocious fifteen year old son. She finds herself attracted to her new next-door neighbor, a smart and confident guy who just happens to be a dwarf. Christie [Calista Flockheart] and Lilly [Valeria Golino] are lovers facing one of life’s toughest battles. Finally, there is the tale of Carol [Cameron Diaz], a blind woman who understands and ‘sees’ life much more clearly than her repressed sister, Kathy [Amy Brenneman].

None of these stories may sound like much, but the success of a story always lies in its telling. Director Rodrigo Garcia is a master story teller. He never lets the movie drift into melodrama. The characters and the subject matters could easily lend themselves to titillation and to cheap thrills, but in the hands of this masterful director, we see these characters simply as people doing the best they know how to do despite their handicaps, both physical and emotional. This movie is very human, and that’s fairly rare these days.

The cast, of course, is a remarkable group of actors. It is amazing to see them all together in one movie. What truly impressed me was the fact that all of them seems to have outdone themselves. While some of their roles are not large, I cannot think of an instance in which any of them have given a better performance. For acting buffs, the film is a rare treat.

When we refer to a movie as small, I think we generally mean one that does not get the adrenaline flowing. If so, Things You Can Tell Just by Looking at Her certainly fits the description. Anyone addicted to explosions, car chases and pumped up characters mindlessly spewing profanities will want to avoid this one. Those who like a little heart and soul, not to mention some intelligence, in their movies should find this one to be a rare treat.

Powerful, Introspective Drama
A sensitive and incisive episodic drama that examines loneliness and need, emotional vulnerability and the true meaning of character, “Things You Can Tell Just By Looking At Her,” written and directed by Rodrigo Garcia, presents a glimpse into the lives of seven women that is not only thoughtful, but filled with some real insights into human nature. Though the stories are independent and unrelated, the film demonstrates how the lives of people can and do overlap, and whether or not they affect one another in any way, there are things these individuals have in common that have to do with relationships or the lack thereof, and is seemingly steeped in pain, despair, indecisiveness and longing. It’s a dialogue driven character study that may be the antithesis of a feel-good film, but it’s riveting drama that is extremely well presented and acted, and most importantly it is very real and believable and will certainly contain elements to which just about anyone in the audience will be able to relate and identify, because they are so true-to-life.

What you see in this film may not be entirely pleasant, but it provides some thought-provoking, reflective moments that are in some cases veritably transporting, and many that are bound to hit very close to home for many viewers. Garcia seems to have a firm grasp of the female perspective and sensibility, and presents the stories of these women in a way that allows you to empathize with all of them on a number of different levels. And he wisely offsets the drama by infusing a bit of tasteful humor at just the right moments, bittersweet though it may be; without it, the film would have been just too dark, and as it is, it hovers dangerously close to the cusp of the abyss, as he layers one disconcerting situation upon another with little respite. It may sound like strong stuff, and it is; but it does what a film like this is supposed to do: It makes you “feel” something, consider some things and enables you to possibly come to terms with some emotions that otherwise you may be wont to avoid altogether. In the end, then, it makes for a truly satisfying and fulfilling experience.

Garcia put together a terrific ensemble cast to tell his story, which resulted in a number of exemplary performances, most notably by Cameron Diaz, who plays Carol, a blind woman who refuses to acquiesce to the constant compromises life offers her. She displays a fortitude that is inspiring and demonstrates that real vision, as well as true beauty, transcends the physical. In her darkness, she sees and understands the world more clearly than many who see perfectly but are blind in other ways, and though in the care of her sister, Kathy (Amy Brenneman), it is she who enables Kathy to finally get a grasp on her own life. It’s a wonderful performance by Diaz, who continues to prove that she is so much more than just another pretty face up there on the screen.

Another memorable performance is turned in by Kathy Baker, as Rose, the single mother of a fifteen-year-old son, Jay (Noah Fleiss), who is a woman of true inner beauty. Rose is a former teacher who now writes children’s storybooks, whom Baker instills with qualities that make her endearing and very real, including the capacity to look beyond herself and reach out to others, which in turn makes that necessary connection with the audience and predisposes the emotional involvement that makes her story so poignant and honest. There’s a gentleness that Baker brings to this role, and an openness, that makes it one of the best she’s ever done.

Notable performances are given, as well, by Glenn Close, as Dr. Elaine Keener, who has recently arrived at something of a crossroads in her life; Calista Flockhart, as Christine, a fortune teller whose own future with her girlfriend, Lilly (Valeria Golino) is clouded; and Holly Hunter, as Rebecca, a thirty-nine-year-old bank manager coping with the emptiness in her life brought about by, in retrospect, some questionable decisions she’s made. It is rare, in fact, to find so many singularly exceptional performances in a motion picture.

The supporting cast includes Matt Craven (Walter), Gregory Hines (Robert), Miguel Sandoval (Sam), Danny Woodburn (Albert) and Penelope Allen (Nancy). Engrossing drama, delivered with integrity and subtle nuance by Garcia and his impeccable cast, “Things You Can Tell Just By Looking At Her” in an introspective treatise on life and the many aspects of it that are common, but rarely shared because of the fact that so many people live, as Carol says at one point, “Behind closed doors.” It’s a powerful film that makes a real impact without ever hitting you over the head with the weight of it’s collective angst. And it’s an important film in that it will make you think and consider– things that are too often put off or ignored entirely, and often to the detriment of personal happiness; and when the medium of the filmmaker can maybe turn that around, it demonstrates what the magic of the movies is really all about.

Get Shorty-Retail —-! Sale Only $2.99! Compare & Purchase Get Shorty at Amazon by clicking here! List Price: —- Amazon Price: $2.99 Click Here To Purchase At Amazon!

Get Shorty Description:

• Amazon Sales Rank: #11772 in Movie
• Released on: 2010-01-14
• Rating: R (Restricted)
• Running time: 105 minutes

Customer Reviews:

Chili Palmer: Shylock, Movie Producer
A loan shark from Florida, who loves movies and winds up in Hollywood on a collection job, decides to take a shot at the movie business while he’s there, in “Get Shorty,” directed by Barry Sonnenfeld. Dark humor and richly textured characters drive this story of Chili Palmer (John Travolta), the shylock from Miami Beach who aspires to a life beyond keeping a book for thugs, in this faithful adaptation of the Elmore Leonard novel. When circumstances take him to Las Vegas to look for one Leo Devoe (David Paymer), a dry-cleaner in debt up to his eyeballs who blew town after an airline scam, Chili goes on to Hollywood to do a favor for the casino operator who tipped him off as to Leo’s whereabouts. The “favor” is contacting film director Harry Zimm (Gene Hackman) who has payment overdue on a note issued to him by the casino. Zimm has made a name for himself (at least in his own mind) by directing horror movies; but he’s not the sharpest tool in the shed. Ultimately, Chili gets involved with Zimm and actress Karen Flores (Rene Russo), who has starred in some of Zimm’s horror flicks, as well as with two time Academy Award nominee Martin Weir (Danny DeVito), the “shorty” of the title. Chili is finally in his element, but his Miami Beach days are not yet behind him; there’s still some settling up to do according to one Ray “Bones” Barboni (Dennis Farina), owner of the book kept by Chili in Florida. Travolta not only goes the distance here, but creates a definitive character in Chili; even as Sean Connery is James Bond, and Basil Rathbone is Sherlock Holmes, Travolta “is” Chili Palmer. With nuance and charisma, he does this guy from the inside out. He has the look and the mannerisms; he walks the walk and talks the talk. And nobody in the history of the cinema has used a cigarette as a prop better than he does in this movie. It’s a commanding, Oscar-worthy performance, every bit as good (possibly even better) than the role of Vincent he created in “Pulp Fiction.” His presence simply dominates the film, and he’s up against some stiff competition, because this movie is filled with great characters. Not only Hackman, who does a terrific job as Zimm, but Russo, who sizzles, and DeVito, who adds some real flair as the “Movie Star,” and Farina, whose toughness and lack of wit make him a memorable character. Also exceptional are Delroy Lindo, as Bo Catlett, a thug and wanna-be movie producer, James Gandolfini, as “Bear,” a stuntman who works with Catlett, and Jon Gries as Ronnie, a “Hollywood” style tough guy who also works with Catlett. Sonnenfeld did a great job of bringing this world of “Get Shorty” to life. The story is interesting and delivered with outstanding dialogue and plenty of action, all of which Sonnenfeld keeps moving at a perfect pace and with impeccable timing. This is one thoroughly enjoyable, funny movie that absolutely begs for a sequel. In recommending it, I have to borrow one of Chili Palmer’s best lines: “Look at me.” Because that says it all. This is one movie you don’t want to miss.

Witty, funny movie gets the “special” treatment
It takes a loan shark leading the way to make Hollywood honest. “Get Shorty” returns in a new 2 disc “Collector’s Edition” DVD just in time for the sequel “Too Cool” which will be premiering in theaters in March. Translating Elmore Leonard’s novels to the screen can be a tricky business luckily both screenwriter Scott Frank and director Barry Sonnenfeld are both up to the task with an inventive dark comedic film. Chili Palmer (John Travolta) heads west to collect a debt from down-and-out B-movie producer Harry Zimm (Gene Hackman). When Harry can’t pay, Chili opts to help him make a movie about, well, Chili Palmer. The catch is that Chili and Harry need a star to make their movie viable. Chili quickly finds that the film business shares a lot in common with the world of organized crime. Chili romances B-Movie queen Karen Flores (Rene Russo) an ex- of Harry’s and persuades film star Martin Weir (Danny DeVito) to star in the film but not before running into a Cadillac of very funny mishaps along the way. Featuring a great performances from Dennis Farina as the clueless Ray `Bones’ Barboni, Travolta, Hackman, Russo, DeVito and a pre-Sopranos James Gandolfini, “Get Shorty” positively sparkles with wit and energy.

Sporting a new high definition transfer “Get Shorty” looks simply marvelous. With a sharp looking transfer showing a minimum of digital artifacts and no analog flaws, “Get Shorty” deserves the deluxe treatment. The image has amazing depth and an image sharper than Chili’s aim. The colors practically leap out from the screen brighter than Harry Zimm’s blindingly white teeth from the moment the pink and blue titles pop up on the screen until the moment we hear “cut” at the end. With blacks richer and darker than Chili’s stolen coat, MGM has done a superb job of translating this modern classic to DVD. The crystal clear sound comes across with more presence than B-Movie queen Karen Flores’ screams.

Extras are exceptionally good in this “Special Edition”. It’s like having seconds of a terrific desert; while no one really needs it, it’s great to have just the same. We get a number of notable extras as part of this rich meal. The second disc has three featurettes on different aspects of the film, the deleted “Graveyard Scene”, outtakes, the “Get Shorty” party reel, a documentary from Bravo Channel on the making of the movie and a sneak peak at “Be Cool”. “Get Shorty: Look at Me” opens the book on how Elmore Leonard came up with the plot for “Get Shorty” and developed the idea. DeVito, Travolta, Hackman, Russo, Sonnenfeld and other key cast and crew participate in this featurette on the production of the film. Full of clips from the movie to illustrate the points made throughout the featurette, it’s a great summation of the greatness of this film. It’s a 30 minute love fest reminding fans why they love this movie so much. The 20 minute “Get Shorty: Wise Guys and Dolls” focuses on the fun, complex characters of the movie. “The Graveyard Scene” featurette allows Sonnenfeld to comment on the single deleted scene of the movie included the hilarious, well, graveyard scene. Featuring a funny cameo with Ben Stiller, Sonnenfeld clearly regretted cutting the scene but Sonnenfeld couldn’t find a place for sequence where it fit. The behind-the-scenes stuff and interviews last longer than the actual scene itself. “Going Again” features footage from outtakes and a discussion from Sonnenfeld about the technique of using long takes, pulling out the best bits and putting it together to make magic. The sneak peak for “Be Cool” promises that the sequel to “Get Shorty” promises to be as funny as the first film. Set in the music business, it may not be more than a promo piece for the film but it gives viewers enough of a taste to rope `em in.

Bravo’s “Page to Screen” documentary featuring Peter Gallagher features plenty of interviews with critics, other writers and focuses as much on how Elmore Leonard comes up with the material in his books, writes them and, once again, takes us behind-the-scenes of the production of the movie. The real treat is hearing from the real Chili Palmer discussing the “reel” Chili Palmer and Leonard’s character. The “Party Reel” mainly consists of bits and piece of cut footage and behind-the-scenes stuff nothing earth shattering or all that funny. In addition to the “Get Shorty” theatrical trailer and we get two promos one for “Fargo” and one for “The Good, The Bad and The Ugly”. My only complaint is the MGM “promo” opener that they put on ALL of their DVDs. It’s annoying and, unfortunately, there’s no way to pass it by. It’s a pretty minor issue but the fact that it’s on all of their DVDs makes it a real pain.

A dry, witty commentary by Barry Sonnenfeld highlights this disc. The only drawback is the lack of participation of Travolta, Hackman, Russo and DeVito. I realize they have busy schedules but it would have been a real highlight and perfect addition to this DVD.

A hip, funny comedy that continues to deliver in spades, “Get Shorty” looks terrific, sounds great and has some terrific special features. This is an example of a re-release that’s worth upgrading. Definitely worth owing on DVD and purchasing a second time if you love the movie. This IS the version to own.

You Just Got to Get “Get Shorty”!
“Get Shorty ” in my opinion is one of the most hilarious send ups of the Hollywood movie industry ever put to film.Director, Barry Sonnenfeld and writer, Elmore Leonard have put their talents together to create a satirical film, which ‘takes no prisoners’ in its look at the underhanded ways, that folks wheel and deal to get movies made.The film centers on a charismatic mobster (John Travolta), who while on a trip to L.A., decides to switch careers. He wants to make movies!This is not as far fetched as it seems. Apparently being a movie producer isn’t that far of a jump from being a loan shark or racketeer! Along the way Chilly meets up with with a schlock movie producer, a scream queen, a L.A. hood and his henchman, another mobster from Miami and finally the ‘Shorty’ (a self-involved, superstar actor)of the film’s title. All of them underestimate Chilly and think he is just a dumb hood, who can be conned out of some major, illegal money waiting in a locker at the L.A. airport. But Chilly seems to know all the right moves and plays everyone at their own game.Writer, Elmore Leonard wrote this fast paced, witty story after experiencing a real life, frustrating job of trying to write a script for vertically challenged actor, Dustin Hoffman… Revenge must be sweet, because it inspired a great piece of comic writing.The cast of actors in this movie is wonderful. Normally, I’m not the biggest John Travolta fan, but his take on mobster, Chilly Palmer is electrifying. Travolta plays the character with a swagger, confindence, and a smile that is sheer perfection! Gene Hackman is also hilarious as the sleaziest of sleazy Hollywood producers. This guy would sell out his own mother if it ment getting a piece of the gross!.Finally, Danny DeVito just makes this movie with his send up of every spoiled rotten, self-indulgent Hollywood actor that could ever come to mind. Kudos should also go for great, comic supporting roles from James Gandolfini and Dennis Farina.For an evening of some very funny Hollywood satire, I recommend you to get…”Get Shorty”!

Buy Poison Ivy 4: The Secret Society At Amazon! Compare & Purchase Poison Ivy 4: The Secret Society at Amazon by clicking here! List Price: —- Amazon Price: $3.99 Click Here To Purchase At Amazon!

Poison Ivy 4: The Secret Society Description:

• Amazon Sales Rank: #4010 in Movie
• Released on: 2009-05-01
• Running time: 106 minutes

Customer Reviews:

ummm..kind of felt like porn with a very dramatic plot
well, I had originally bought this film because I am a hard core Degrassi fan, and in the show my favorite character would have to be Emma. As you can probably tell the “young woman” who plays Emma in Degrassi plays our lovely protagonist in the new poison ivy movie, Miriam Macdonald. I was not expecting much from her as an actress after seeing her in Sci-Fi channel’s original movie “Sea Beast” but she exceeded my expectations in this film. I will warn you now there is a lot of sex in this movie, and there is some unneeded nudity as well when the ivy sorority in inducting new members. I’m not going to get into the plot because the one posted by Amazon was pretty near accurate

WARNING TO PARENTS: this is not the kind of movie you should buy for you daughter just because she likes Degrassi:The Next generation, because there is graphic sex scenes and pretty hard core violence

There was a lot of straddling for no specific reason
I was forced into watching this. For some reason, Greg Evigan, of “BJ and the Bear”, and Catherine Hicks, of “Seventh Heaven” and “Star Trek IV” are in this movie. I learned that when women go to college, they spend alot of time going to boutiques and changing their hair color. As I was watching it, I noticed how cheerful the set design was, despite the fact that this movie is supposed to be suspenseful and full of ominous portent. The antagonist and the protagonist are both women, and the movie involved alot of changing of hairstyles, nail color, fashion accessories, hairstyles, patent leather belts, hairstyles, and so forth. Some of the hairstyles are so outrageous, they distract from the plot of the movie. The plot is very straightforward but includes a lot of gratuitous sensuality introduced in non-sequitor situations that makes the scenes rather comical. It wasn’t intended to be comical, but that’s how it turns out, so in this respect, the movie is very enjoyable. The performances are okay though many scenes seem out of place. It’s sort of like a soap opera that has adult scenes played out in R+ rating, or a Harlequin Romance, where every personality must fit into a social stereotype. It’s unintentionally upbeat and cheerful in mood despite it’s intended purpose. Mystery Science Theatre 3000 would have a field day with this movie.

Good film. A good time killer (no pun intended)
I have seen all the other poison ivy films and I have to say this one is my favorite. You’re basic storyline is still the same like in all of the poison ivy films. Young naive girl meets up with sexy temptress who seduces her or her boyfriend or her father out of fun or the persuit of power and success. What attracted me to this film was of course, Miriam McDonald best known for playing Emma Nielson-Simpson on Degrassi The Next Generation – Season 6 The character she plays named Daisy reminds me a lot of her Emma character. Naive, sweet, head strong, and goal/school crazy. But unlike Emma Daisy is very easily fooled while Emma isn’t going to believe everything she hears. It’s hard to identify with her character until you met her rival Azalea who is everything she isn’t. Power hungry, uses her body to get what she desires. All for an intership.. Like I said, if you liked the other three films you will like this one. I have to say once again hats off to Miriam McDonald for doing things in scenes you never see on Degrassi.

Match Point Movie Streaming. Movie Title: Match Point Average customer review: Match Point is available for streaming or downloading. Click Here to Stream or Download Match Point

MATCH POINT is considered by some to be a departure for Woody Allen, due largely to its setting and its few oddities that can sometimes be an annoying Allen trademark. Yet it is also a well acted and well developed film that would be reminiscent for some of films such as ANNIE HALL. In order to know for definite, a person has to recognize it to determine and it’s certainly worth seeing.

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The film tells the memoir of Chris Wilton, and Irish born tennis player who realizes there’s only so far his game will remove him, so he takes a job as a tennis pro hoping to get a connection with London’s upper class. His charm and ability ensure this will happen. He meets a client Tom Hewett, the son of a great business leader. Wilton marries Tom’s sister, endears himself to his in-laws, and has a passionate affair with Nola, Tom’s fiancé then later ex-girlfriend. Grand of the film focuses on the ways in which Wilton goes to expansive lengths to shroud up his affair.

The actors fit their roles well. Chris Wilton is played masterfully by Irish born Jonathan Rhys Meyers. Rhys Meyers has the view of someone who would fit into British upper class circles, and he comes across less as an imposter and more as a climber. Rhys Meyers, who is familiar to many who saw the film BEND IT LIKE BECKHAM, again an Irish lad trying to design it in England, albeit in very different circles, demonstrates he’s a believable and versatile actor. Scarlet Johansson plays the American actress Nola, likewise gives a phenomenal performance. The Hewett Family: Brian Cox as father Alec, Penelope Wilton as mother Eleanor, Mathew Goode as Tom and Emily Mortimer as Chris’ wife Chloe seem like British aristocrats, oblivious to all that is happening round them, yet believable too. Perhaps one of the films strengths is the fact that the Hewetts are oblivious to Chris’ scheming and climbing, and that Chris is not a character whose controlled by ambition as great as his desire not to loose the wonderful life he’s created for himself.

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My guess is that since MATCH POINT was nominated for several Golden Globe Awards and will likely be nominated for Academy Awards too, people will lift study of this film. One of our local newspapers praised MATCH POINT because it was a Woody Allen film that was not typical Allen fare. Another paper praised it because it is so Woody Allen, but region in London rather than Recent York. The long and the short of it is, chances are you’ll relish this film whether you like Woody Allen or not.

MOVIE: Do you ever sit and recognize a movie and try and guess the ending? Do you ever try and guess what direction a film is going? Well, I dare you to try and guess this film’s outcome, go ahead, I dare you. Match Point is Woody Allen’s character eye as to how luck plays a role in our lives. Match Point opens appropriately enough with a sideline opinion of a tennis ball going serve and forth across the secure in boring motion. The narrator is the whine of the main character, Chris, played by Jonathan Rhys-Meyers. He describes the game of tennis as luck, that once in a while the ball will hit the accumulate. The frame then freezes as the ball hits the find, and he describes that luck determines which side of the gather the ball will plunge. Chris, who is an all-pro tennis player, decides to step down from playing and takes up teaching for awhile while he decides what he wants to do with his life. His latest student, Tom, shares a passion of opera with him and invites him to his family’s balcony seats. There he meets Tom’s sister, and he falls in adore with her. However, he soon meets Nola, a glowing woman who lures him in with her eyes. He soon finds out that Nola is Tom’s soon to be wife. This is the film as it seems. Chris begins to have an affair with Nola, and after she breaks up with Tom they continue to romance without the knowledge of Tom’s family. He gets married to Tom’s sister and they are now expecting a child, his father in-law lands him a dream job at one of his corporations. Yet, it is level-headed the lure of the temptress that calls to him. Woddy Allen sets up a jam for our main character that raises the request between admire and lust, and luck and fate. While you may ask this film to be lustful drama, you have no plan where Allen takes you next. The shining aspect of the film, is that there is no gather. I loathe films without a salvage, I assume music is 50% of a film’s emotional enact on the audience, but where there is no recent earn there is opera. Allen uses opera to structure the scenes, since it is the one thing that ties Chris to the family. The opera changes in tone and emotion as the scene does, so it works to perfection. The film is absorbing, you may gain yourself debating about what happens in the extinguish, but you realize it all ties in with what this movie is about. The film set is something that you’d put a question to from Hitchcock, and it is a exquisite one at that. The movie is bright and belief provoking even if it doesn’t seem plausible at times.

ACTING: Jonathan Rhys-Meyers does a top-notch job even though I consider some of his dialogue seems stilted, but he’s not to blame for that. He does a fantatsic job with what Woody Allen gives him. Scarlett Johansson is perfectly cast as the temptress, and she even gives her somewhat commercial character a human side as well. Large acting, even though the dialogue is stilted at times.

BOTTOM LINE: The film will lead you one map only to beget a inspiring left and steal you where you wouldn’t ask. You have no plan what’s coming, and I dare you to guess the ending before it starts to unfold. The film is shining and an engaging search for, but it really doesn’t boast any technical highlights. Cinematography is nothing to accumulate exasperated over, but it’s one doozy of a screenplay.
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Watch Star Trek: The Original Series – Season Two Movie Online. Movie Title: Star Trek: The Original Series – Season Two Average customer review: Star Trek: The Original Series – Season Two is available for streaming or downloading. Click Here to Stream or Download Star Trek: The Original Series – Season Two

The second season of Star Trek: one of television’s most cherished programs of all time and the precursor to an additional five television series and eleven feature-length films arrives on Blu-ray with high expectations to meet or surpass the lofty standards station by the first season’s astonishing Blu-ray release. It should arrive as no surprise that season two picks up exactly where its predecessor left off, boasting a extraordinary array of quality episodes presented with stunning 1080p transfers, full-fledged DTS-HD MA 7.1 lossless soundtracks, and plenty of bonus features.

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Arguably the most primary of any Star Scamper season throughout the franchise’s entire 29 season rush, season two of the Current Series status the stage for a myriad of themes, yarn lines, and characters that would gather their scheme into Star Scurry lore in the 40 years after the season’s recent television debut on September 15, 1967.

Superficially, this season’s most distinct contribution to “Star Race” lore lies in the introduction of Pavel Chekov (portrayed by Walter Koenig) as a vital cast member. Arguably debuting too slow in the series’ bustle, his absence in the season one episode “State Seed” but integral role in the history of Eugenics War villain Khan Noonien Singh as seen in the 1982 filmed sequel The Wrath of Khan represents one of Star Trek’s most glaring inconsistencies, perhaps the only flaw to be found in my celebrated Star Whisk movie.

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Season Two of Star Lag features what I deem is the most loved episode of them all, “The Difficulty With Tribbles.” Featuring the franchise’s best-known non-humanoid species, making for its funniest episode, and serving as the inspiration for the highly-innovative Star Trek: Deep Plot Nine episode “Trials and Tribble-ations” that stands as one of that show’s finest hours to be found outside the Dominan War anecdote arc, “Tribbles” is simply Star Slump at its finest.

Video 9.5 out of 10

The Video Transfer

CBS gave the Blu-ray release a impress original video encode at 1080p, compressed with VC-1, with pillar boxing to sustain the new 4:3 aspect ratio.

Also what about those unusual digital special effects shots that have been such a hot topic? They have never looked better.

The astronomical thing about these Blu-ray sets is the seamless branching, so you can decide which plot you want to perceive, with the new effects, or the unusual. Season two of Star Flow comes onto Blu-ray with an expectedly stellar 1080p, 1.33:1-framed transfer that preserves the series’ current broadcast aspect ratio and places vertical sad bars on either side of the image when replayed on a 16X9 mask.

Though it can a bit soft at times, seemingly a fault of the source and not the Blu-ray transfer, there’s not a moment where this presentations fails to absolutely effect. It boasts a moderately heavy layer of grain throughout; effects shots as seen in the non-remastered versions are in particularly rough shape, though given the source material and the composition of the novel effects, there’s no need to fault the transfer and the rough-around-the-edges sight lends a charm to the proceedings that’s absent from the remastered versions.

Colors tend to jump off the hide with the natural appearance of every shade in the spectrum, highlighted by the mustard, red, and baby blue colors of the Starfleet uniforms. In addition, dazzling object detail is most impressive. Viewers will become privy to Spock’s heavy make-up and the many beads of sweat that often appear on Dr. McCoy’s face. A scar on Mirror Universe Sulu’s face features an astonishing amount of visible clarity and texture. Uniforms, too, are highly detailed; eagle-eyed viewers will gawk stitches, loose threads, a zipper that runs from the side of the neck and down, and even the faint residue of a Starfleet insignia patch that was removed on one particular red uniform in “Mirror, Mirror.”

The clarity of the 1080p resolution even allows you to manufacture out clear stunt doubles in several long-distance action scenes. Blacks are generally solid but occasionally peep a bit too colorful, but flesh tones never veer too far from a natural shade. A runt amount of luminous and the occasional speckle of dirt are the only exact hindrances to an otherwise stellar transfer.

Audio 10 out of 10

CBS has done an wonderful job with the sound on the Blu-ray space. Audio is powerful harder to restore and squeeze extra clarity from as compared to film, so it is quite a testament to the technology we have today that these discs sound as superior as they do. The audio is stored as DTS-HD Master Audio which is a lossless compression, which means this is as agreeable as it will gain and is available in 7.1 lossless soundtrack.

Just like Season One, the audio is obvious, with dialogue well prioritized, it is never drowned out by other sound effects. Another well designed touch is the sense of ambiance mixed into the surround channels. When on the bridge you are engulfed in the sounds of ship.

However purists are again considered as CBS included the mono track as well. It can accessed by choosing Communications in the main menu and then selecting Audio Options.

The remastered blu-ray version also has a significantly greater sense of region and atmosphere. Listeners will often hear the hustle and rush of the ship in the background as characters high-tail and talk about the bridge and Enterprise corridors, whether during calmer shots or more intense action sequences.

Extras

Each disc in this situation contains bonus features, though some discs are far more feature-packed than others. Additionally, each episode is available for viewing with either fresh or enhanced special effects.

Disc One

Disc one begins with Starfleet Access in conjunction with the episode “Amok Time.” This is a picture-in-picture feature that offers an extensive background on the episode via video commentary with various Star Sprint crew members and historians. The fraction also features pop-up trivia tidbits. Also included on this disc is Billy Blackburn’s Savor Chest, the second fragment of a collection of “rare home movies and special memories” as recorded on the region of Star Go by the recurring background character.

Along with numerous clips from the expose, Blackburn recalls his varied experiences on the residence through many of the different episodes that populate season two. Rounding out the special features on disc one are previews for each episode on the disc and BD-Live and Mobile-Blu functionality.

Disc Two

Only previews for the episodes that appear on this disc and BD-Live and Mobile-Blu functionality are included on this disc.

Disc Three

As with disc two, disc three features only 480p previews for the episodes that appear on this disc and BD-Live and Mobile-Blu functionality.

Disc Four

Disc four is entirely devoted to Tribbles. “The Difficulty With Tribbles” is the only novel series episode to be found on the disc, and available with it is a feature-length commentary track with David Gerrold, writer of the renowned episode. Also included is Starfleet Access, the picture-in-picture commentary/trivia track.

Perhaps the best feature on the disc is the inclusion of two additional Tribble-related episodes: “More Tribbles, More Troubles” from “Star Trek: The Spicy Series,” and “Trials and Tribble-ations” from Star Trek: Deep Site Nine. The frail, featuring David Gerrold commentary, is presented in 1080p high definition with a 1.33:1 aspect ratio and a DTS-HD MA 7.1 soundtrack. The episode runs for 24:13. The video and audio quality are improbable and bode well for a possible future Blu-ray release of the entire series. Meanwhile, “Trials and Tribble-ations” features a 1080i, 1.33:1 aspect ratio that I feel is no better than the same episode’s upscaled DVD counterpart. The episode does feature a DTS-HD MA 7.1 lossless soundtrack.

Trials and Tribble-ations: Uniting Two Legends takes viewers deep into the episode’s notion. It features plenty of cast and crew interview clips, behind-the-scenes footage, and segments from the completed episode. Trials and Tribble-ations: An Historic Endeavor is a similar share that looks at how the episode came about, focusing this time on the special effects that made the explain work. Star Trek: TOS on Blu-ray is a fraction featuring a panel of Niel R. Wray, Denise and Michael Okuda, Dave Rossi, and later, Writer David Gerrold, delves into the creation of the Blu-ray residence and why it makes for an improvement over previous releases. Also included is the preview for “The Distress With Tribbles.”

Disc Five

‘To Boldly Go…’ Season Two is a retrospective share that looks wait on on “The Peril With Tribbles,” Chekov’s character, the stories gradual “Amok Time” and “Mirror, Mirror,” how Star Bound integrated the issues of the 1960s into Science Fiction, and more. Also included are the previews for each episode on the disc and BD-Live and Mobile-Blu functionality.

Disc Six

The principal supplement on disc six is Designing the Final Frontier is a gape at the site designs for many of the episodes throughout Star Trek’s three-season rush. Also included are the previews for each episode on the disc and BD-Live and Mobile-Blu functionality.

Disc Seven

The final disc in this situation begins with ‘Star Trek’s’ Popular Moments in which features both fans and the cast and crew of the various Star Lumber series recalling their current episodes and the series’ influence on their lives. Writer’s Notebook: D.C. Fontana looks at the well-known role of writers, editors, and the script itself on Star Scuttle.

Life Beyond Trek: Leonard Nimoy, features the actor discussing what he’s been up to since “Star Dash.” Next up is Kirk, Spock, & Bones: Star Trek’s Astronomical Trio is a recognize befriend on the chemistry between the famous characters. Star Trek’s Divine Diva: Nichelle Nichols features the actress looking relieve on her character. Also included are the previews for each episode on the disc, BD-Live and Mobile-Blu functionality, and the enhanced visual effects credits.

I feel that season two of Star Slither is the best of the current series and I also feel that it is the most indispensable in the franchise’s long history. Completing the cast by adding Pavel Chekov and debuting characters, setting trends, and introducing themes that would remain throughout Star Hump for a long time.

This is the ultimate edition of a beloved classic, whether you’re a purist or someone that likes the current special effects. The remastered series was meant to be seen in HD.

Star rush has been written about probably more than any note. From its countless pop culture references, to it examination of political and social commentaries, Star Mosey has been talked about ad nauseam. Given the substantial amount of writings, in some ways, its almost arrogant to try and add something current. However, if you’re reading this, you’re probably not as eager in a review of the series and episodes as distinguished as you’re keen in whether the Blu Ray is worth getting. I will say this unique Blu-ray is something rather special. The recount is improbable, and I feel almost like I’m watching the present again for the first time, kind of like when you’ve heard a joke a hundred times, but then one day you hear it a dinky different and you laugh, like its novel but familiar as well.

However, the wretchedness is that the Blu ray is almost too generous. I can utter when the beget up meshes with exact skint. I can whisper when a punch misses the target. In fact, the Blu Ray is so positive that you can actually seek and clearly identify the stunt doubles as they are intermixed with the finish up of kirk or whoever is fighting. So your interest in the Blu ray may vary. While the show’s strengths in account and acting are highlighted, the weaknesses of the technology are made the more apparent. That being said, I savor having the ability to glance both the current and former effects addition, as well as the slew of special features included makes this a must have for me.
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Species Product: Species-Retail —-! Sale Only $2.99! List Price: —- Amazon Price: $2.99 Click Here To See Amazon Sale Price Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available

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• Amazon Sales Rank: #16115 in Movie
• Released on: 2010-01-03
• Rating: R (Restricted)
• Running time: 109 minutes

Blu-ray Quality Review
While the film itself is a love it or hate hit kind of thing (as far as the story and actors and whatnot), I would like to rate the actual quality of the disk and what separates it from the dvd version.

The Blu-ray version of this movie is much better than all the other version. Better quality images, better quality sound, and you even get a cool glimpse into Giger’s creative process with a extra on the blu-ray that shows him creating the “evil train” sequence.

Personally, I liked the movie – but I think what most people want to know is, is it worth buying the blu-ray version vs. the dvd version and the answer to that question is DEFINATELY!

SciFi Action with Sex Appeal
Don’t be mistaken, the focus of this movie is to entertain. Mission accomplished! If your looking for a deep meaningful movie forget it. If your offended by nudity forget it. If action, gun play, and horror offend you forget it.

Species is a SciFi\Action thriller with sex appeal. From the opening to the close of the movie your senses are bombarded with the goings on of a very sexy and very often nude Natasha Henstridge’s fight for her alien life. The story line is solid and cohesive, with a few twists and turns thrown in this classic SciFi tale. Species is filled with: great actions sequences, excellent sound, very high quality production, and good acting from a superb cast. A classic mix of SciFi and Action required viewing for any true SciFi buff and an excellent choice.

The Mating Game
For years we humans have been looking for signs of life other than what’s on this great, greasy mud ball we affectionately know as Earth. We’ve sent probes, satellites, and signals out into that vast darkness…we’ve searched the heavens with powerful telescopes and listened with highly sophisticated equipment design to detect anything that could point to the possibility of intelligence other than our own…and for all our efforts we got…squat…that is, until now…

Directed by Roger Donaldson (I was a bit wary here, as this was the man responsible for awful films Cocktail and Cadillac Man, but he did a really good film in that of No Way Out, so I’m torn…), Species (1995) stars certainly an interesting cast including the very busy Ben Kingsley (Ghandi), who slated to appear in a whopping seven films in 2005 (I think he’s trying to compete with Gene Hackman and Michael Caine for the title of most prolific actor), Michael Madsen (Reservoir Dogs, Kill Bill Vol’s 1 and 2), Alfred Molina (Doc Ock in a little film called Spider-Man 2), Forest Whitaker (I’m still highly annoyed with this guy, who I generally like as an actor, for appearing in John Travolta’s ego stroking pet project Battlefield Earth…damn you John Travolta!), Marg Helgenberger (CSI), and introducing every sci-fi nerd’s wet dream, the highly curvaceous and infinitely squeezalicious Natasha Henstridge (I can’t help wonder if this film would have done as well had they chosen another actress, say Rosie O’Donnell? I suppose not…)

Anyway, it seems all of our efforts to find intelligent life in space has finally paid off, as a message was received, one detailing plans regarding re-sequencing human DNA to create a human/alien hybrid. The gooberment project, headed by Xaiver Fitch (Kingsley) has succeeded, creating a new life form in that of girl known as Sil (who later becomes Henstridge, due to a rapid, internal development process). Now, I would have thought it unwise to screw around with space DNA, as who knows what you’ll get, but they also received instructions for a limitless energy supply from the same source, so they assumed the aliens who sent the message were friendly…gullible fools. After it’s decided that Sil is progressing too quickly, and may become dangerous, the secret group agrees the best course is termination, but Sil disagrees, and escapes. Since it’s not feasible to announce to the general public that there’s a dangerous human/alien hybrid on the loose, one created by our own gooberment, in the newspapers and on TV, Fitch assembles a specialized team to track and kill Sil before she reaches her full potential, something they are still unsure of…but here’s a hint…it involves making with the boom boom and the pitter patter of tiny little feet…or claws, or whatever…

I saw this film with a married couple when first released, and my friend and I thought it was pretty darn good, but his wife felt different. When asked why she didn’t like the movie, she said “There was too much nudity.” At that point I left well enough alone rather than try to explain how, since Sil was unfamiliar with our customs, clothing, at times, was optional for her. I will agree there was a whole lot of nekkidness, but hey, I’m a guy, and I’d be lying if I said I didn’t like to see beautiful nekkid women. Obviously Henstridge was chosen for her assets, and her willingness to display them, but she did say much later that the role opened many doors for her…I’m sure it did…the plot, a group of diverse specialists gathered together to deal with an unusual problem, smacks of any number of Michael Crichton stories, as they all play out this way, but it’s not done quite as well here as it is in a Crichton story. The actors do well enough with what they’re given, but there was shallowness in each of their characters. I suppose this matters little, as the film is meant to be just fun and exciting, and not an in depth character study. I did find Whitaker as Dan the empathic character a bit annoying at times, as his abilities seemed to work with pinpoint accuracy at times, but conveniently fail at critical moments. Madsen, as the gooberment `liquidator’ brings nothing we haven’t seen in a handful of his other roles, making me think he graduated from The Keanu Reeves School of Acting with honors. The plot has its problems, but it seems to care little as it rolls along at a fairly speedy pace, and does keep the audience engaged. I thought some of the characters were a bit too `hands on’, specifically Fitch, especially since he seemed to have a whole lot of resources available to him (as we all know, the gooberment has the deep pockets, and seem to care little for how they throw our tax dollars around). The special effects do look really good, and the distinctive H.R. Giger (Alien) influences are very apparent (he actually design the human/alien hybrid creature) and entirely worth any fan of Swiss auteur’s surrealistic work to check this film out.

The wide screen picture on this DVD looks really good, and the audio is available in three formats DTS 5.1, Dolby Digital 5.1, Dolby Digital 2.0 Surround. I’m not entirely sure what qualifies this as a `special edition’, other than two separate commentary tracks, one featuring director Roger Donaldson and actors Michael Madsen and Natasha Henstridge, and a second with director Roger Donaldson, producer Frank Mancuso Jr., visual effects supervisor Richard Edlund, and creature and special makeup effects creator Steve Johnson. There is a trailer for this film, along with a few others for other MGM releases, and a sneak peek into Species 3 (which I think is going to be a direct to video release), but not a whole heck of a lot else. I just thought the popularity of the film would have meant more…like a Giger video sketchbook or something…oh well…

Cookieman108