Posts Tagged ‘California’
The Thin Man Streaming
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The Thin Man Streaming.
Movie Title: The Thin Man The Thin Man is available for streaming or downloading. |
THE THIN MAN is a landmark film in so many ways that it is difficult to over-estimate either its impact or its brilliance. Based on the current current by Dashiell Hammet, the film presents us with a completely egalitarian husband and wife who trade witticisms as freely as they mix cocktails–and the view was so completely unexpected that it proved extremely controversial in the 1930s and even today composed sets the standard for witty comedies in which couples rob in clever verbal sparring. The script is intelligent and clever; the cinematography by James Wong Howe anticipates later film noir by mixing glossy sad and white beauty with an underlying grittiness; W.S. Van Dyke’s direction is expeditiously paced and never allows your attention to wander; the supporting cast is remarkably fine; and the production values offer MGM at the height of its remarkable powers.
All of this would be enough to originate THE THIN MAN memorable, but what really elevates it into a rarified atmosphere is the chemistry between leads William Powell and Myrna Loy, who handle their lines like beautiful rapiers, playing a combination of dry wit and unexpectedly silliness in high relief against a remarkably murky narrative of multiple cancel. Hard drinking, and mixing socially with both the uppercrust and the underworld, they are the people we would like to be in the sort of relationship we would like to acheive: glamorous, stylish, lustrous, and having vast fun as they work together to track down a missing inventor who may or may not be responsible for his lover’s sudden kill. Although Powell and Loy made numerous films together, including five sequels to this one, THE THIN MAN shows them at their zenith, and I can deem of no other hide couple to date who have played so effectively together.
Regrettably, the DVD release has not been restored, and although the print is crisp it does maintain a number of blemishes; similarly, although the DVD does include trailers for all of the “Thin Man” films Powell and Loy made, the bonus features hardly do justice to the film’s inexhaustible charms. Quiet, I do recommend the DVD over a VHS for the simple reason that you are likely to return to the film again and again, hoping some of the Powell-Loy sophistocation will rub off–and in the process you are likely to wear out a VHS in fairly short order. Of all the many films I have seen and enjoyed, this is probably the one I have watched most often, and I cannot recommend too highly. A must have for your collection.
“Would you mind putting that (gun) away? My wife doesn’t mind, but I’m a very skittish fellow…” Talk about memorable movie lines! The Thin Man is simply one of the best detective films I have ever seen, and one of my accepted movies. William Powell and Myrna Loy star as Cut and Nora Charles, recently of California. Succor in the Tall Apple with Asta, their “fearless” sidekick pooch, the two drink (“Want a drink? ” “What do you consider? “), dine, and solve a abolish case(reluctantly, on Nick’s fraction) while giving the audience the time of their lives. Cleverly written and brilliantly played are Reduce and Nora themselves, and William Powell and Myrna Loy rival Basil Rathbone and Nigel Bruce as Sherlock Holmes and Dr. Watson. I give this film two VERY eager thumbs up, and recommend these for anyone with a splendid taste for movies in general. Who could forget Crop blasting a hole through the window and pretending to be asleep? Or Nora’s first appearance, taking a titanic spill as Asta drags her towards Crop? And who could forget that last endearing threat to Asta by Nora-”If you let anything happen to him, you’ll never wag that tail again!” How…sweet.
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Who Killed the Electric Car? Discount.
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Who Killed the Electric Car?
Product: Who Killed the Electric Car? Discount. List Price: —- Amazon Price: $7.99 Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available |
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- Amazon Sales Rank: #10348 in Movie
- Released on: 2006-11-14
- Rating: PG (Parental Guidance Suggested)
- Running time: 93 minutes
A “Who Done It” for the auto industry.
A great film about another sorry episode in the history of America’s automobile and energy industry. Set as a “Who-Done-It”, the film chronicles how short sighted automakers (especially GM) develop great electric cars in response to the California ZEV mandate only to do everything in their power – from suing the state, making ridiculous ads, creating a red-tape filled lease application process – to kill them. Consumers buy bigger and bigger vehicles (whether they need them or not). Government officials and staffers bow to the pressure of intense lobbying, and conflicts of interest. The sad fate of most of the EVs produced during the late ’90s to 2002 is revealed.
GM, especially, comes off as incredibly vindictive. What automaker ever tracked down every car of any model and crushed them (not the Corvair, Edsel, etc.)? Even after loyal drivers pleaded to keep them, offering to buy the last remaining EV1s with junk titles at lease buyout prices, GM went out of its way to ensure that the EV1 was history.
The passion of GM’s EV specialist Chelsea Sexton for the EV1 makes her the star of the movie. One can only imagine what the engineers who designed the EV1 felt when their babies were being crushed.
But the movie ends on a hopeful note. We may never see the EV1 again, but vehicles using electric drive systems, either as full EVs (which are coming from several start-up companies) or plug-in hybrids, must inevitably roam the roads. The upward trend in gasoline prices, the effects of global warming, the inherent efficiency of electric drive trains, the continued improvement of battery technology, and the upcoming reevaluation of the ZEV Mandate guarantee it.
A good look at a good idea.
This documentary provides a fascinating look at how big corporations can get away with murder. The electric cars were quite popular a decade ago but are now non-existent, this explains why. There were less breakdowns in the electric car and of course no gasoline. The result was that GM could not have people driving around in reliable transportation, where would they make money on repairs? The other factor is oil companies, with no legitimate competitor they could do whatever they wanted and have. Strange that the owners (or leasees since they were not for sale) were not allowed to keep their cars after the California law was repealed. Check it out.
WKtEC Kicks GM in the Butt
Well, all you sceptics out there–see it and weep! Yes, there was an incredibly cool, sexy two seater ZEV on the road and no, you didn’t get to drive it…but I did. For three years I had the fun (and so did everybody I gave a ride to). Also, with a Time of Usage meter installed on my house, I charged at night (still do) at a lower rate–PLUS, get this, I have a 16 panel solar array on my roof which not only lowers my bill, but means my (gasp!) Toyota RAV4 EV license IM SOLAR is not lying. Clean, clean, clean! See this movie and get those auto makers to give you some more options! Way to go, Chris Paine et al.
The Great Locomotive Chase Streaming
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The Great Locomotive Chase Streaming.
Movie Title: The Great Locomotive Chase The Great Locomotive Chase is available for streaming or downloading. |
It’s been many years since I had seen “The Vast Locomotive Move”, and it was a trusty pleasure to gaze it again. With so many other reviews, I don’t mediate I need to summarize the set.
Anchor Bay, as usual, has given us a DVD that is shapely to gawk at, with only a few areas where the age of the film is apparent. This is widescreen and I can’t imagine watching this film any other plot. The sound is graceful powerful what you would request for a 1956 release.
Fess Parker and Jeffrey Hunter are glowing as the lead protagonists, with Jeff York also registering as one of Andrews’ Raiders who would rather fight, than follow the “mask and dagger” routine. Of course, York played Mike Fink–”King of the River”–opposite Fess Parker’s Davy Crockett.
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This movie is a dream for railroad buffs–old steam trains detached provide a thrill for many people. It is also much for people keen in the civil war, being based on exact events, although I suspect history scholars might accept it too superficial. However, the purpose of this movie is to entertain fans of all ages–not to secure bogged down in too worthy detail.
Parents should acquire this movie a delight to peek with their children, especially young boys. The status is not complicated–there is plenty of action–and while shots are fired, and some fists sail, there is none of the more graphic violence that today’s films seem to wallow in.
Like other reviewers, I would have liked some “extras”. Comments from Fess Parker–now a successful California wine-maker–added a lot to Disney’s Davy Crockett collection. Mr. Parker’s memories of this film would have been a nice plus. Sadly, Jeffrey Hunter passed away at a young age, during the 1960s.
Perhaps some day there will be a “deluxe” edition from Disney–but, in the mean time, we must thank Anchor Bay for giving us this highly watchable version.
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Again, recommended viewing for the whole family.
Buy,Download, Or Stream The Great Locomotive Chase! Click Here
The movie is outstanding. Fess Parker and the rest turn in splendid performances. This piquant yarn is based on the moral to life incident that took location during the Civil War. From what I have heard there were only a couple minor changes in the recreation of the chronicle. Walt Disney made extraordinary movies during the Fifties and Sixties that were mammoth for the whole family to luxuriate in together. I am pleased they are now releasing these movies to DVD. My only complaint is that there seems to be an notify with quantity instead of quality. They seem more involved in releasing a spacious number of movies than worrying about the condition of them. Now I’m am as anxious as the next person to acquire all their live action movies out but I hope they originate taking the time to realize they need to monitor the quality control. I don’t need the extras on this first release. Once they have released all the movies they exhaust to race on “The Unbelievable World of Disney” then they can go benefit and do Platinum Editions. I will be cheerful with honest the movie since there are so many more they need to release like “Dr. Syn, alias Scarecrow” and “The Swamp Fox” that I can be pleased with unbiased the basics but I want the movie to have spirited portray and sound quality. Some of the novel live action movies have been colossal quality (e.g. Three Lives of Thomasina) and some have been bad (e.g. “The Lag of Dapper Gann) . I hope someone from Disney is paying attention to Amazons reviews because if they don’t they may come by their DVDs aren’t selling so well. Fortunately this DVD represent and sound quality are nicely restored. There are no extra features.
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Streaming The Thin Man Online
|
Streaming The Thin Man Online.
Movie Title: The Thin Man The Thin Man is available for streaming or downloading. |
THE THIN MAN is a landmark film in so many ways that it is difficult to over-estimate either its impact or its brilliance. Based on the favorite original by Dashiell Hammet, the film presents us with a completely egalitarian husband and wife who trade witticisms as freely as they mix cocktails–and the understanding was so completely unexpected that it proved extremely controversial in the 1930s and even today level-headed sets the standard for witty comedies in which couples pick in clever verbal sparring. The script is engaging and clever; the cinematography by James Wong Howe anticipates later film noir by mixing glossy dusky and white beauty with an underlying grittiness; W.S. Van Dyke’s direction is mercurial paced and never allows your attention to wander; the supporting cast is remarkably fine; and the production values offer MGM at the height of its worthy powers.
All of this would be enough to effect THE THIN MAN memorable, but what really elevates it into a rarified atmosphere is the chemistry between leads William Powell and Myrna Loy, who handle their lines like ravishing rapiers, playing a combination of dry wit and unexpectedly silliness in high relief against a remarkably dusky narrative of multiple cancel. Hard drinking, and mixing socially with both the uppercrust and the underworld, they are the people we would like to be in the sort of relationship we would like to acheive: glamorous, stylish, luminous, and having substantial fun as they work together to track down a missing inventor who may or may not be responsible for his lover’s sudden kill. Although Powell and Loy made numerous films together, including five sequels to this one, THE THIN MAN shows them at their zenith, and I can judge of no other cloak couple to date who have played so effectively together.
Regrettably, the DVD release has not been restored, and although the print is crisp it does have a number of blemishes; similarly, although the DVD does include trailers for all of the “Thin Man” films Powell and Loy made, the bonus features hardly do justice to the film’s inexhaustible charms. Mild, I do recommend the DVD over a VHS for the simple reason that you are likely to return to the film again and again, hoping some of the Powell-Loy sophistocation will rub off–and in the process you are likely to wear out a VHS in fairly short order. Of all the many films I have seen and enjoyed, this is probably the one I have watched most often, and I cannot recommend too highly. A must have for your collection.
“Would you mind putting that (gun) away? My wife doesn’t mind, but I’m a very shocked fellow…” Talk about memorable movie lines! The Thin Man is simply one of the best detective films I have ever seen, and one of my accepted movies. William Powell and Myrna Loy star as Prick and Nora Charles, recently of California. Help in the Astronomical Apple with Asta, their “daring” sidekick pooch, the two drink (“Want a drink? ” “What do you reflect? “), dine, and solve a kill case(reluctantly, on Nick’s fraction) while giving the audience the time of their lives. Cleverly written and brilliantly played are Cut and Nora themselves, and William Powell and Myrna Loy rival Basil Rathbone and Nigel Bruce as Sherlock Holmes and Dr. Watson. I give this film two VERY keen thumbs up, and recommend these for anyone with a superior taste for movies in general. Who could forget Reduce blasting a hole through the window and pretending to be asleep? Or Nora’s first appearance, taking a enormous spill as Asta drags her towards Carve? And who could forget that last endearing threat to Asta by Nora-”If you let anything happen to him, you’ll never wag that tail again!” How…sweet.
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Stream The Lord of the Rings: The Two Towers Online
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Stream The Lord of the Rings: The Two Towers Online.
Movie Title: The Lord of the Rings: The Two Towers The Lord of the Rings: The Two Towers is available for streaming or downloading. Click Here to Stream or Download The Lord of the Rings: The Two Towers |
No movie protrayal can match a advantageous book, but Jackson’s attempt is the best ever anxiety in the history of movies. His team’s great amount of research, attention to detail and like of the current literary work comes through. Yes, some area lines are altered in minor ways to hold the off-screen characters share of the movie as it serene has to benefit an audience that didn’t read the books, but overall anyone must savor their work. Yes, all of us Tolkien fanatics would admire to leer a movie of 139 hours in length that shows every scene and includes every line of dialog from the books, including Tom Bombadil and the everything else, exactly as written, but that obviously isn’t going to happen.
Sam – please read the books again as many of your review details are unfavorable. Gollum does have an internal struggle of Smeagol vs. Gollum, it’s just in the book. It is fine sure in the movie that Sam is disgusted by Gollum and Frodo is more pitying him, same as the book. There is the conflict between Arwen and Elrond about her relationship with Aragorn and her struggle with remaining elfen and going West vs. staying with Aragorn. But it is subplot not detailed in the books as mighty, but Jackson is trying to flesh out characters. Aragorn does have doubts and struggles about coming out of hiding to rise to the thrown, he sets this up more in movie #2 for movie #3 but it is there in the books. Saruman does have control over nameless character “A” which nameless “B” breaks with a struggle and in the movie he has to effect it sure (over-do-it) what is going on or movie-goers would go “what the heck? ” since they aren’t reading the book. Saruman does rip down all the trees and into forest which P-O’s the Ents, appealing them into action, which WAS inspired by Tolkien’s abhor of the industrial age (more to arrive in movie #3 I’m determined as in the books) . There are warg-riding (i.e. huge rats) orcs (even attend in the Hobbit books) – READ THE BOOKS AGAIN!!!
But some variations are needed for a movie version for the general public; I’ll agree with you that all were not needed _FOR_US_, but there is the Joe Blow price buyer he is trying to entertain as well, to actually build money on this immense project (which was completed, by the contrivance, before movie #1 came out and was tranquil a gamble then; hindsight only shows he could have gotten away with “less”, perhaps) .
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It’s easy to ride down remove on every detail especially when movies are based on books. But this has to be (with the others in the series) some of the best movies ever made, and clearly the best attempt to mirror books on the screen; especially with the fantasy setting and special effects requirements. “To Demolish a Mockingbird” is another enormous adaption, but it’s not so hard to catch a slight Southern town and a guy named “Boo” as it is to originate Balrogs, Orcs, Rings of Power and the Look that Never Sleeps. Give him a fracture.
It’s hard to know where to initiate in articulating a coherent summary of so spectacular an legend as Peter Jackson’s rendering of Tolkein’s masterpiece. Perhaps the most incisive comment I can compose is that, having been a fan of “The Lord of the Rings” since I first read the trilogy nearly 35 years ago, I’m impressed by Jackson’s fidelity to the spirit of the recent literary work.
“The Two Towers” is a very different kind of film than its predecessor. Don’t ask the intimacy of “The Fellowship of the Ring”; the evolution of the tale precludes it. The dissolution of the Fellowship scattered the distinguished characters of the first film into three positive sub-plots: Merry (Dominic Monaghan) and Pippin (Billy Boyd), whose remove by the Uruk-Hai takes them into Fangorn Forest and their ultimate influence on the fate of Saruman (Christopher Lee) ; Legolas (Orlando Bloom), Gimli (John Rhys-Davies), and Aragorn (Viggo Mortensen), who re-unite with a resurrected Gandalf (Ian McKellan) in the climactic battle of Helm’s Deep; and Frodo (Elijah Wood) & Sam (Sean Astin), who continue their quest to end the Ring at Orodruin (ably played by Mount Doom) in Mordor. That’s a lot of threads to weave into the overall tapestry of the epic, and it necessarily calls for some fairly abrupt and snappily scene changes. The action is so fast-paced that you will barely have time to salvage your breath.
One of the most personally meaningful aspects of the film — and so far, it has been upright of both “The Fellowship of the Ring” and “The Two Towers” — is Jackson’s uncompromising adherence to Tolkein’s vision of the timelessness of the tale itself. The author was distinct NOT to write a record that served as an allegory for any of the modern events of his time, but rather hoped to address powerful broader issues that are rooted in the fundamentals of human nature. In so doing, the trilogy has remained relevant to the human condition in a plan that transcends nationalities, ethnicities, and the various idiosyncratic cultural zeitgeists of any of the historical periods it has spanned. I gain genuine personal relevance in Aragorn’s struggle with his absorb destiny. It’s not a predetermined kind of destiny, as in “fate”, but rather the self-determined destiny of one who follows his heart and his possess integrity. Ditto for Eowyn (Miranda Otto), whose struggle to fulfill her desire for valor in the service of fine is established in “The Two Towers”, and will culminate in the final installment, “The Return of the King”.
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But Jackson’s triumph runs powerful deeper than his artistry in character development; many stout films allotment that characteristic. It is his mastery in the expend of surpassing technological innovation as an befriend in the storytelling rather than as an extinguish in itself that raises the bar for all subsequent films. His combination of digital, fabricated, and natural scenery in creating the world of Middle Earth is simply breathtaking. The battle scenes are unpleasant without being overwhelming in their reliance on gratuitous violence or repulsive bloodshed. [I will allow my daughters (8 and 12 years of age) to gaze the films, and I am probably more protective of their sensibilities than most parents I know.] And Jackson’s creation of the creature Gollum (Andy Serkis) is without equal or precedent in filmmaking history. Gollum is more than simply “believable”; he is sincere. His role in the tale is pivotal, and it was Jackson’s test of fire to get an all-digital character whose range of expression and movement could carry such an indispensable portion in the record. It is a masterpiece of moviemaking art.
It will seem incomprehensible to the uninitiated that my only lament about the three-hour film is that it is too short. That’s hardly a criticism, for Jackson has included everything that is relevant to the anecdote line in setting the stage for the trilogy’s climax in the third film. As a matter of practicality, the film can’t exceed three hours for simple economic reasons. A longer film would mean fewer showings — not advantageous for the profitability of movie theatres — or a higher trace of admission, which would not be current with moviegoers. So, the filmmaker has had to accommodate those constraints, and I beget it’s a job well done.
Still, it’s inevitable that one who has read the book will regain discrepancies or omissions in the film, but that’s not the basis of my wish that the film were longer. Rather, it’s more a matter of being sorry that it was over at the waste. “The Two Towers” is so absorbing, so utterly spicy a film-watching experience, that I found myself wanting more. What better statement could one perform about the success of the filmmaker who wants his customers to near benefit for the third and final section of this story trilogy? The consolation to those who want more will undoubtedly be in the release of the special edition DVD, which — like its counterpart for “The Fellowship…” — will add vital additional footage to the theatrical version.
Finally, for all the unparalleled technological excellence of the film, the most compelling reason of all to peep it is the epic itself. If you admire expansive movies crafted by professionals with vision who issue a noteworthy account exceedingly well, you simply must gape “The Lord of the Rings”. It’s distinct that the trilogy has found a special location in moviegoers’ hearts. I saw “The Two Towers” at Edwards Cinema in Brea, California at a matinee showing on December 23, 2002, in a full-house audience of people of all ages. When the initial title “The Lord of the Rings” appeared on the mask, the audience spontaneously burst into applause. I have never seen that happen at any movie I have ever attended, and for friendly reason – there has never been a movie like this before.
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