Posts Tagged ‘driver’
Watch Bus 174 Online
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Watch Bus 174 Online.
Movie Title: Bus 174 Bus 174 is available for streaming or downloading. |
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On June 12th, 2000, a man boarded a bus in Rio de Janeiro with the device of robbing its passengers. When the robbery turned sour, Sandro, the perpetrator, turned the driver and the passengers into hostages, threatening to ruin them one by one if his demands weren’t met. Carried live on Brazilian television, the event garnered national attention as the tense standoff between Sandro and the police played itself out. “Bus 174,” a riveting documentary by Jose Padilha and Felipe Lacerda, is an narrative of that event.
Not snort to merely rehash the details of that day’s experience, the filmmakers employ their film as an opportunity to inquire of many of the social ills that laid the groundwork for the tragedy in the first state. The harshest criticism is reserved for the Brazilian government and the Brazilian people who sight the other method when it comes to the hundreds of homeless children living on the crowded streets of Rio de Janeiro. Sandro was himself such a child, having witnessed the slay of his mother at a young age then turning to street life and street crime as his only means of survival. We learn that not only is the scrape of such people routinely ignored by the mountainous majority of Rio’s residents, but that both citizens and government officials have taken a proactive portion in harassing and, in some cases, even killing these children. Sandro is clearly a product of his environment, and his actions on that day largely extend from the lack of a societal connection he’s felt all his life. The directors also recall swipes at an incompetent, contemptible police force, a brutal, dehumanizing prison system, and a sensation-seeking, voyeuristic public who feeds on the unfolding live tragedy as if it were a Hollywood action movie or some kind of lurid scripted drama.
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Interwoven with footage from the dependable incident are interviews with various participants in the drama, ranging from police officials to SWAT team members to surviving hostages to tortured prisoners to social workers to psychologists to friends and relatives of Sandro himself. Through these interviews, Padilha and Lacerda weave a tapestry of Brazilian society that spares no one and indicts us all in one intention or another. What is most impressive about “Bus 174″ is how our emotions rep all tied up in a knot, as we catch our loyalties shifting support and forth between the various participants in the drama. At one moment we sympathize with Sandro and all the suffering he’s experienced, and the next with the innocent hostages who simply want to race this madman and return to their normal lives. At times, we catch ourselves rooting for the befuddled cops, while at others, we are inclined to side with the downtrodden and behold the law enforcement officials as the right villains of the section.
The events that occurred on that day shook a nation, serving as a wakeup call for a society that has attempted to sweep its injustices and social ills under a blood-stained carpet. Yet, this isn’t a residence new to Rio, by any means, for Sandro’s memoir is representative of what happens in all major cities when poverty and misery are allowed to go unchecked and when indifference to suffering becomes the norm of the privileged classes. “Bus 174″ is more than honest a recounting of an isolated incident; it is a ogle into the gloomy heart of Man that we all ignore at our fill anxiety.
A word of advice: if you are going to review, please DO NOT give away the ending…I’m gratified I read all these reviews after I saw the video…portion of the film’s power is the suspense.
ANYway, I showed this video to my criminal justice class and we did a compare/contrast to the shootings at Columbine high school. Emotions in the class ranged from frustration to arouse to sadness and students left the room talking about it!
Although the film may be viewed as biased, there is no ask to reality when one sees the interior of the jails and the treatment of the inmates, learns of the lack of training and sees it in the Rio PD, and observes the street kids as they huddle on cement in shabby blankets, sniff paint & glue from a plastic bottle, and don used clothing with American sports logos. It is gritty, it is suspenseful, it is sunless and eye-opeing and everything you would want in a documentary. The needless extinguish of human beings, the surreal world outside of the US and inside of a Rio jail, and the videos of the streets where “Sergio” survived is in your face without being preachy or judgemental.
I highly recommend this video to other educators, and when you compare it to Columbine high school shootings, it brings it home with a contemplate at culture, law enforcement, government, etc.
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Eastern Promises Sale-$2.99!
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Eastern Promises Sale-$2.99!
Compare & Purchase Eastern Promises at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
Eastern Promises Description:
- Amazon Sales Rank: #3692 in Movie
- Released on: 2009-07-01
- Rating: R (Restricted)
- Running time: 102 minutes
Customer Reviews:
Intriquing, well-acted, ADULT-THEMED thriller!
I emphasized the “ADULT-THEMED” idea in my title because one of the best things about seeing a film like EASTERN PROMISES is that it is so adult, so uncompromised. Cronenberg gets to make the movies he wants to, and it doesn’t have to be watered down or dumbed-down to make it sell to a broad audience. We get a brutal, sometimes squirm-inducing look at a underworld we haven’t seen like this before…and there’s no gloss, no pandering to a teen audience, no sappy ending, etc. etc. The ending is SATISFYING…but it isn’t easy or “Hollywood.”
First of all, the script is outstanding. From the creator of another stunning film about London’s “seamy underbelly,” DIRTY PRETTY THINGS…the plot makes sense, the threads all come together and the characters are simply but sharply delineated. Yet at no time do I feel the themes are being spoon-fed. Also, some of the acts that are perpetrated on Viggo Mortensen’s character near the end of the film are acts of amazing betrayal…yet if you haven’t been paying attention, you might miss that. It’s not a super-complex plot…but it doesn’t grab you by the hand and lead you from place to place.
Speaking of Mortensen…this is his best performance ever. Granted, Aragon is crown-jewel, and he handled it well…but those films were events, such spectacle that often what he simply needed to do was wear his costume, ride his horse and look great. In EASTERN PROMISES, he has to make us care about a very nasty piece of work indeed. He’s also very stony-faced…so much of what we learn about him, especially early on, comes from very subtle work. Again, each word of the script is perfectly chosen, and Mortensen digs deep here. He’s not always my favorite actor…I actually wasn’t nuts about him in A HISTORY OF VIOLENCE (A film I otherwise greatly admired)…but he’s perfectly cast here. And of course, he’s amazing to watch in the now infamous nude fight scene. It’s a little bit distracting being aware of male full-frontal nudity flashing around…almost enough to take one out of the scene…but the scene is so well staged that the sheer PAIN of it soon wipes out any feeling of “hey, we get to see ALL of Viggo Mortensen.”
Armin Mueller-Stahl plays the older patriarch of the Russian mafia family, and he’s the best of this type of character I’ve seen in awhile. You know the one…the old gangster who is so sweet and loving to the youngsters in his family, so polite and full of grace and manners. Picture Brando in the wedding scenes of THE GODFATHER or even Paul Newman in early scenes of ROAD TO PERDITION. Stahl is even better…his eyes twinkle with charm. But boy, when the mask drops and we see the real guy…still soft-spoken and considered…he’s stunningly evil. I really enjoyed seeing him again…it seems like it’s been awhile since he was in a film.
Vincent Cassel plays Stahl’s hot-headed son…another gangster cliche…the kid who is supposed to take over the business, but is actually a bit of a moron and troublemaker. But again, the character has surprises up its sleeve. Also, Naomi Watts plays the nurse who brings a motherless baby unwittingly into this underworld…and she is reliably good. Her character doesn’t get to have all the dramatic flourishes…but Watts gives another patented, fully committed, honest performance. I believe she may be our most under-rated actress, even though she has been nominated for awards and starred in many films…I think she’s still undervalued. EASTERN PROMISES won’t win her new fans or an Oscar…but she is still very good.
Notice I didn’t talk much about the plot. Others have done it better, and to be honest, I’d love it if you just went to see the film having little idea of what you were about to experience. It’s a brutal journey…but it is full of unexpected turns…not just of plot but of character. I’ll bet come year end, this will still be one of my favorites of the year! Highly, highly recommended for ADULT audiences!!
Could EASILY win best picture
Cronenberg is a fascinating director. Even when he “just made horror films” he produced veritable masterpieces of mood and unnerving atmosphere, almost all incorporating his very unique “body horror,” such as the now-classic Scanners, Videodrome, The Brood and Shivers. Fans of such films accused him of “selling out” when he made History of Violence. The main problem with this claim is that History of Violence was astounding. Well, he’s done it again. Eastern Promises is EASILY his best film. Here Cronenberg proves he’s a master. Promises is a beautifully simple film, so well-made and nearly perfect that other modern directors would do well if they could only emulate his style and class. The film is chocked full of nuance and subtlety. The performances are grand and the soundtrack is gorgeous. I would not be surprised if Viggo wins best actor, Cronenberg best director or if Promises wins best picture. Yes, it’s that good. (On a side note, watch out for the bathhouse knife fight. It’s the most realistic and visceral fight scene in a film since Friedkin’s The Hunted.)
‘Eastern Promises’ Delivers!
EASTERN PROMISES as written by Steven Knight and directed by David Cronenberg is one of the grittiest, insightful, and well-acted films of the year. Maintaining his keen eye for the dark side of life and the people who dwell in its shadows, Cronenberg has once again brought us characters so strongly etched on film that they will be remembered for many years.
The setting is London where lives the enigmatic Russian-born Nikolai Luzhin (Viggo Mortensen in an Oscar caliber performance) who serves as a driver for a cloaked mysterious Russian family, members of the Russian mafia called the Vory V Zakone, a bizarre brotherhood populated with men whose lives of crime are told in tattooed stories on their bodies. The head of the family is the elegant restaurateur Semyon (Armin Mueller-Stahl) whose son Kirill (Vincent Cassel) carries on the crime aspects of the family but shows no role of leadership in his dissipated life style. As the film opens we observe the birth of a little girl to a drug-addled mother Tatiana (Sarah-Jeanne Labrosse): she dies during childbirth having been delivered by a midwife Anna (Naomi Watts) who herself has a history of a stillborn child. Anna finds a diary in Tatiana’s purse, saves it, and takes it to her uncle to translate it form the Russian. Opening the diary opens dark secrets for Semyon and Kirill: Tatiana was apparently one of the many illegal Russian prostitutes imported by the Vory V Zakone crime syndication and was raped by Semyon whose daughter was born as Tatiana died. Anna’s investigation as to the baby’s heritage includes the invaluable help of Nikolai who despite his past has a soft spot for Anna and her plight and it is the manner in which the interplay of Anna, Semyon, Kirill and Nikolai works out that brings the film to its conclusion.
The acting is impeccable with Mortensen, Watts, Cassell, and Mueller-Stahl at peak form. Cameo roles by Sinéad Cusack and Jerzy Skolimowski, among others, are fully fleshed. The accents are believable and the multiple tattoos on Mortensen’s body (seen fully in the much ballyhooed bathhouse scene, more about killing than about voyeurism) match the dark, dank atmosphere well captured by the cinematographer Peter Suschitzky and echoed with the musical score by Howard Shore. This is a tough movie for the squeamish to watch, but the story is superb and the film is Cronenberg at his best. Grady Harp, December 07
Watch Brüno Online
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Watch Brüno Online.
Movie Title: Brüno Brüno is available for streaming or downloading. |
This movie is *clearly* for those not easily offended. It is monstrous and hysterical, but I don’t mediate I could allow my parents to go examine it.
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Sasha Baron Cohen’s latest creation, Bruno, makes his procedure to America to become uber-famous any device he can. And he goes through lots of different attempts on his blueprint. Acting, interviewing celebrities, guesting on talk shows, becoming straight, he tries many methods, each with it’s painfully comical result. You’ll savor the Paula Abdul interview, particularly.
The interactions with people are improbable, and you will be appalled at what some parents will do to score their children into present business. Honest heavenly.
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There are a lot of shocking/uncomfortable droll moments (be prepared for gratuitous male nudity), and I am no definite how they will believe up for repeated viewings, but in a crowded theater, it was a bellow. The ending is worth the buildup, and stick around for the closing song.
I laughed so hard that my face was hurting, and my wife was crying from laughing so hard. It takes a while to recover, but soooooo worth it!
NOT for the kids.
I have to peer Bruno more than once, most people probably do too. That’s because Bruno is one of those rare movies where you’re laughing so hard at some parts you know you’re missing the next humorous thing. As overjoyed, Austrian fashionista and celebrity-wannabe Bruno, Baron Cohen continues his jaw-droppingly crass and gross stealth comedy antics. Purportedly, Baron Cohen has been beaten up while in character, so it only seems glorious that he makes his audience laugh hard enough to distress.
Of course the usual Baron Cohen caveat is in order: yes, its offensive, yes, its cross, yes, there is a LOT of nudity, mostly male. If any of this is not your cup of tea, that’s dandy, no hard feelings. If you don’t mind the occasional gawk of literally bouncing balls in the name of comedy, Bruno is pure gold.
Post Borat fame has probably necessitated that more of this movie be staged, with at least some of the people (a talk prove host, the driver of an oncoming car) in on the joke. But scripted or natural- its wickedly silly. And enough of it is genuine- including Bruno’s interview/sex tape with Ron Paul, parents of would-be baby stars volunteering their 12-month-olds to play Nazis, ex-gay ministers, straight-rally wrestling audiences and general bystanders to Bruno’s public antics.
Bruno balances the line between social commentary and comedy like a model on a catwalk. As with Borat half the humor comes from people reactings (or not) to the character’s scandalous behavior, and half from the eerily righteous caricature Baron Cohen creates. Fame-hound Bruno is everything narcissitic, uninformed, vain and with the all-too-common undeserved sense of entitlement that makes up the worst of American pop culture. As with Borat, Bruno learns some life-lessons and grows as a person by the slay of the movie- as Baron Cohen always seems to want to better his audience, even if he has to beat them over the head with a dildo to do it.
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Watch Vanishing Point Online
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Watch Vanishing Point Online.
Movie Title: Vanishing Point Vanishing Point is available for streaming or downloading. |
The account begins at the waste, where we are shown a roadblock of ugly proportions, and a white 1970 Dodge Challenger rocketing toward it. From there the account begins, backing up two days to give the rest of the yarn. An interstate trot is on for the driver of the Challenger, whom we know nothing at all about. As the tale unfolds, the identity of the driver is rationed out in flashbacks and news reports, slowly bringing into focus the nature of the character. At first, we naturally rob the driver to be a simple car thief, as does law enforcement. Gradually, we learn that the driver is not a thief at all, he is simply delivering the car. He is a decorated Vietnam stale who joined the police department after his fine discharge, married a handsome girl, and then lost her in a surfing accident. Not long after, he stopped a senior officer from beating and raping a young hippie girl, and was dishonorably discharged from the force. We also learn that his high-octane burn across the desert is to satisfy a simple wager: if he makes it from Denver to San Francisco in less than 15 hours, he doesn’t have to pay for the amphetamines he bought to hold him awake for the scurry. He is guided along the contrivance by blind disc jockey “Supersoul” (Cleavon Shrimp), who speaks to the driver (whose name is we learn is Kowalski (no last name given, via the AM radio in the Challenger. Supersoul is Kowalski’s invisible guardian angel, advising him of the cop’s attempts to conclude him, at least until some local rednecks bust into the radio area with a storm of rocks and racial epithets and beat Tidy Soul and his engineer into submission. As Kowalski rockets across the blasted desert landscape, he encounters numerous crackpots and visionaries, all of whom seem to offer another share to the puzzle that Kowalski’s life has become. From prospectors to faith healers, outlaws to newlywed hijackers, we are given a explore into a world that exists far from the beaten track we all move each day. As Kowalski hurtles toward his date with the destiny that was mapped out for us at the very beginning of the film, each rumor and news picture seems to contradict the image of him that is being played out by the police of several states, elevating him to something of a folk hero among a growing legion of fans and supporters.
This movie knocked me out from the very beginning. For those die-hards, yes, there are plenty of car chases and stunts to satisfy most fans of car/action films. But that’s not the whole fable, by any measure. For this is the record of one man, not a mythic account, or even a regional folk hero. Why does he do what he does? He simply has nothing left to lose or fetch. How many men returned from Vietnam at least a microscopic disillusioned by the world they came home to? How many have had their lives mapped out elegant and graceful, only to have the blind monkey wrench of fate turn their worlds upside down? Here is a man who is perfectly willing to sacrifice his freedom, his safety, and possibly even his life to net what amounts to a ten-dollar bet, at best. When Kowalski finally arrives at the roadblock, the inevitable conclusion to his odyssey, he takes the only road he knows, a path which had been situation for him ever since the beginning.
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On a cinematic level, the influence of Vanishing Point is far reaching, indeed. The sage of a jaded ex-cop who has lost his wife, his hope and, to a degree, his humanity, was taken and nitro-injected in George Miller’s Exasperated Max (1979) and the Road Warrior (1982), as Max Rockatansky (not too far a arrive from Kowalski) has his life violently ripped out from under him, and thus turns to the initiate road. At first for revenge, but then because it is the only world he can exist in, a status where jungle law prevails. By then, Max is nothing more than a shell, a ghost of a human who haunts the blighted landscape propelled by a hunger not even he can understand. One of the most effective spot devices is that of not giving the protagonist a name until well into the film. Joel Schumaker traditional this technique very well in his righteous movie Falling Down (1993), not giving Michael Douglas’ character a name until the final act of the film’s account. By doing this, we are allowed to study the character as a sort of everyman, someone whom we may know, or may even be. We are then free to ogle the goings-on at a considerable more personal level, gleaming all too well that the yarn being played out upon the conceal could, given the good circumstances, be any of us, and to that waste, possibly even all of us. By the time we learn that the character is someone, it’s too slack. They are already a section of us, trudge by destiny and experience. Also of mark is the using of a disc jockey to provide a running commentary on the nature and exploits of the protagonist (as well as provide a reasonable source for the music in the film), a blueprint extinct, to lesser do, in Walter Hill’s The Warriors (1979) . Lastly, although film characters have been bumping into oddballs in the desert for years, Abbe Wool’s astounding Roadside Prophets (1992) stands out as the protagonists high-tail through the desert, encountering numerous wisdom-dispensing desert dwellers, each contributing their ideas, ideals, and experiences in a plan that lends toward a larger collective ideology wherein a greater truth resides.
This is a masterpiece of filmmaking. Do yourself a stout favor and check it out.
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After seeing this movie in ’71, a year before obtaining my driver’s licence, it truly influenced my driving skills and my admire for high performance American horse power. Seeing the movie now almost a hundred times over, I know the dialog word for word. This is a cult classic to be shared with those 70′s era Mopar fanatics who too have seen this movie in it’s various cuts at the local driveins. (And attemped to drive fair as hastily as Kowalski did after they left the drivein) . Having the sound track on LP(vinyl) and the movie on VHS, I can revisit my obsession with this film and sound track when ever I feel the need to reassure myself for need of controlled rush. Remember, they musty several Challengers during the filming and you can eye some of the different cars throughout the film if you have a provocative seek. For those who can fix the frame of the movie impartial after Kowalski makes impact and someone is spraying water on the wreckage, they can view the the car is a white Camaro. Examine at the vent windows on the door frame. Challengers did not have these! For those with a really engrossing perceive and a grand veil can gawk the Camaro script on the truck lid also. For those newer viewers, sit befriend and appreciate a pre Dukes of Hazzards suitable car lag. It doesn’t obtain any better than this. (Unless we can collect it on DVD along with a CD version of the excellant music sound track! Hint, Hint!)
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Watch Bolt Movie Online
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Watch Bolt Movie Online.
Movie Title: Bolt Bolt is available for streaming or downloading. |
Despite having far good product for distribution via Pixar, Disney tranquil tries to churn out their absorb animation these days. While the golden days of yesteryear are gone and the resurgence succor in the early 90s are long unhurried us, it’s nice to discover disney place out a couple superior titles here and there.
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“Skedaddle” is exquisite agreeable. It’s predictable, to be certain. In fact, some of it reminds me of Disney’s other fresh dog film, “Beverly Hills Chihuahua,” in that a dog is removed from a somewhat priviliged background and forced to live like a regular dog. Like any apt animal movie, Accelerate meets friends along the blueprint. Upstaging Chase is Rhino, a hamster who worships Slither and moves around in a puny plastic ball.
What Disney has succeeded in doing is injecting a diminutive heart attend into their product. It’s something they’ve really not been able to successfully do since “Lilo and Stitch.” There’s a really touching scene between Lumber and a stray cat named Mittens that not only captures the heart of the film, but really makes you deem twice about animal abandonment!
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Performances are genuine all around and the animation is top notch. For some reason, I feel that Disney aloof wants to compete against their acquire partner Pixar. Composed, the characters aren’t quite as multidimensional. And considering the hero’s problem to score encourage to his owner Penny, Penny really gets itsy-bitsy time in this. The film has a fun road movie quality and the film makers seemed to have fun with the action sequences. It’s a fun gape, but lovely far from Pixar quality.
“Wander” really blew me away; this is the first time that I have seen a CGI film that shows a level of mastery that allows the visual artistry of the film to be the driver rather than the capabilities of the computer. The characters have the typical CGI look–extremely well rendered, with the 3D type scrutinize you’d examine. However, the backgrounds have the ogle of a aged painting. Art Director Paul Felix should be commended for this mixing of styles which works out extremely well. The overall lighting, colors, and style of this film are its hallmark in my concept. The chronicle is really not anything that will blow you away; in fact, it is somewhat predictable; however, with the characterizations, action sequences, visual quality, and the vocal talents tedious the characters, “Hasten” becomes a must-see.
In a nutshell: Jog (John Travolta) is a super-hero canine…at least in his acquire mind and to TV viewers everywhere. In order to protect his performance and sustain it “dependable,” TV execs have sheltered Lope and he believes that what he accomplishes on his display is all done on his absorb, not through special effects. Lumber is deeply devoted to his human costar, Penny, a slight girl (Miley Cyrus), who is also deeply devoted to him as well. Mistakenly thinking that Penny is in distress at the hands of the TV villains, Slither escapes his trailer and finds himself in the accurate world, where his trim powers are not so well-kept. He accidentally gets shipped to NYC, and thinks that the pink styrofoam peanuts clinging to his fur are the cause of his loss of power. With the relieve of a hamster named Rhino (Stamp Walton) and a street-tough kitten, Mittens (Susie Essman, who is Improbable!), Scuttle must net his scheme abet to Hollywood and his beloved Penny. It is a account of growth, maturity, and love; again, nothing really earth-shattering, but in this recycled yarn that we have seen in other movies, it is done so well that you forgive the studio for its predictability.
BONUS MATERIAL:
“Clean Rhino” (4:27) –Rhino the hamster gets the spotlight in this captivating short focusing on him. Cute!
Deleted Scenes: 2 deleted scenes (“Dog Fight in Vegas” and “River Sequence”) with introductions by directors Chris Williams and Byron Howard. They are both shown in storyboard manufacture and neither is really missed from the final portray. They were not traditional mainly because they wanted to heighten the emotional level of Lag finding out about his lack of powers.
“In Session with John Travolta & Miley Cyrus” (:59) –This one is like a blip on the radar…very short! Interviews with both stars as they bag ready to order the duet from the movie “I Notion I Lost You.” They are truly a mutual admiration society, with Travolta comparing Cyrus to the appeal of Olivia Newton John in “Grease.”
“I Understanding I Lost You” Music Video–Interspersed with footage of Travolta & Cyrus and clips from the film.
Bolt’s Be-Awesome Mission–High def video game is somewhat more engrossing and fun than the typical Disney video game extra. Launch at level 1, The Burning Warehouse and search for how far you can progress! Takes a miniature bit of mastering of the controls on the remote.
“A Recent Breed of Directors: A Filmmakers’ Swagger” (4:34) — The two directors discuss what it was like to earn “Streak,” and how John Lasseter was a mammoth mentor and guide in the process. Fun to scrutinize the enormous plastic hamster ball that the animators played in to diffuse tensions around the office. Obviously vast camaraderie was apparent with the team, as they also stopped shaving in unison during the last 9-10 weeks of work on the film.
“Act, Roar! The Voices of Roam” (9:47) –Always moving to discover how each actor has to report their lines independently, making the process of playing off the other characters next to impossible. Really takes talent to do it work. Travolta began in voicework (commercials), so this was a return to his roots. He comments that “You can only contribute your boom…the most inspiring this was seeing the marriage with the animation.” Designate Walton, a Disney animation team member, did the scratch say of Rhino, and was so perfect that he was cast in the final movie. The true video of him finding this news out is touching to recognize as you examine his unbridled enthusiasm. Susie Essman (“Curb Your Enthusiasm”), the direct of Mittens, was mad to point to her design acting skills, but was told by the Disney team to be herself. They wanted a tough kitten with a Current York accent. As Susie says, “It’s honest me.” Disappointingly enough, she never met Travolta during her recording sessions, even though practically every scene in the movie involves her character interacting with Travolta’s.
Bolt Art Galleries: Character Perform, Color Script, Storyboard Art, and Visual Development. Distinct is fabulous to ogle this broad pieces of art filling up a widescreen high-def TV. The quality is really astounding, and positive beats the old-fashioned days of DVD when art gallery images were in low-res and fairly microscopic.
“Creating the World of Fling” (6:45) : The unbelievable work of art director Paul Felix and lighting director Adolph Lusinsky is detailed here. They actually visited the many locations across the country to fabricate determined that they were able to rob the light of each current scenic setting. Felix wanted the painterly looks of traditionally gripping Disney films, and he definitely succeeds. Gripping to eye this featurette.
Also included:
Digital Copy disc and a DVD of the feature with all the bonus features except the art gallery and video game.
SPECS:
Video: 1080p High Def/1.78:1. Disney is to be commended for having high-def extras as well. Whereas most studios go to the usual crappy video quality, Disney consistently upgrades even the extras. Especially exquisite for the video game.
Audio: English 5.1 DTS-HD Master Audio (48 kHz/24-bit) and Spanish 5.1 Dolby Digital. I actually had to turn the volume down a bit, as this movie really gives the speakers a work-out. Sound comes out of all your speakers, and with a number of action sequences, the subwoofer really rumbles! Extremely impressive! Subtitles: English SDH, Spanish.
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