Posts Tagged ‘Professor’

postheadericon Streaming The Nutty Professor Online

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Movie Title: The Nutty Professor
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I occupy this classic now. I watched the extra features on the DVD and all of the coverage on the other work of Jerry’s . After about a half an hour, I realized there is also a movie on this disk. I could not contain how remarkable material is on this ONE disk. I strongly reccomend this and when you procure it, observe it with the commentary track turned on for Jerry’s comments as the display plays. The widescreen DVD format is amazing. The color and clarity are improbable, and the stout band sound and sound effects are richer than ever.

This Classic film shows the unbelievable comedic range of Jerry Lewis as a goofy buck tooth professor with an exagerated rude self cherish. He finds that one of his stunning students Miss Purdy played well by Stella Stevens takes some sort of interest to him. As the professor he stumbles on a potion that can change his genetics into an overly arrogant edifying looking man who lacks the one thing that would rep Purdy over. Sensitivity. The characters name Buddy Appreciate is said by some to have been based on mature rat pack partner Dean Martin. Buddy Loves character was an inspiration for comedian Andrew Dice Clay as Dice has said, “Your not here because your Not attracted to me. And you can recognize I dig you magnificent well myself.” Eddie Murphys remake although helpful could never over shadow this classic comedy. Lewis as Professor Kelp at the prom with his goofy dance steps is hilarious. This movie is timeless and I highly reccomend it to everyone. This movies 1963 release gives you some sense of the simple wholesome lifestyle of the early sixties. As a male I can’t wait on but plunge for Stella Stevens every time. Jerry Lewis proves in this movie he’s a droll genius!
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postheadericon Watch Nietzsche and the Nazis Online

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Movie Title: Nietzsche and the Nazis
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Last weekend I had the top-notch fortune to survey this captivating, informative, and very disturbing DVD.

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I am an avid fan of the History Channel and other forums exploring the theme that ideas have consequences but this fragment of work was better than nearly everything else along these lines I have seen.

The Nazis, who murdered roughly 12 million people — among them the 6 million plus or minus Jews we have all heard of — were a really vicious bunch. But what is more spicy and distinguished is that they were not barbarians but came from Europe’s most educated population, the Germans.

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Their main theme was the idealization of Das Volk, “The People,” not severally but collectively, as a genuine tribe for the welfare and advancement of which everything could be sacrificed, especially individual liberty and independence.

Here was a group of fanatics who wholeheartedly believed in the righteousness of their absorb zealotry and urged it upon all their followers, of whom there were millions — the Nazi party was voted into power several times and by the waste some 90% of Germans voted for it. Hitler came to power democratically, by “the will of the people” (a phrase we have recently heard in these United States as well) .

Nazism was openly in favor of irrationalism, championing instinct over reason, order over liberty, and self-sacrifice over the pursuit of happiness.

Nazis hated the classical liberal ideals represented by the United States of America; they despised free enterprise and imposed a version of socialism — national socialism, to be exact — wherever they could. The main disagreement between their version of socialism and that of the Soviet Union was that they advocated socialism for the nation, unlike the Soviets who wanted it spread internationally.

A persistent expect that has bothered historians, psychologists, sociologists, and nearly anyone who has given the matter any notion is how this monstrous regime could arise in the midst of a relatively civilized residence like Western Europe and its crown jewel of a culture, Germany.

Many hypotheses have been advanced, including one in particular which has always been both inviting and controversial. This is that positive ideas dominant in German culture had a colossal deal to do with the Nazi’s rise to power. And the central figure who has been proposed as responsible for these ideas is the 19th century German philosopher Friedrich Nietzsche.

I will not give away the memoir Professor Hicks tells with such clarity and subtlety but I do wish to mention that as far as I can recount — and I have studied some of these matters over my career as a philosophy teacher — he gives a very well balanced presentation of fair why Nietzsche did in fact support the Nazis and in what method his views differ from theirs quite significantly.

On first inspection, for example, it is not easy to possess that the Nazi’s interrogate for subservience and unselfishness fit well with Nietzsche’s ideal of “the will to power.” But if one looks deep enough one will realize that the will to power was not to be build in the service of the individual person but of the tribe or culture.

Individual flourishing didn’t interest Nietzsche; collective triumph did. And on this the Nazis fully agreed with him. No wonder they invoked his legacy over and over again in their literature.

On the other hand, Nietzsche would not likely have favored the sort of politicization of the ideal of the superman that the Nazis promulgated. He would have left politics aside concerning how the future of humanity was to unfold so long as it eager a revolution in our right values. (He deemed faded — especially Judeo-Christian morality — perverse, an enemy of a fully flourishing, instinct-driven human life!)

Professor Hicks’ presentation is immensely rich with facts, quotations, analysis, and insight. Especially challenging is the list of erudite Europeans — Valid Laureates and the like — who eagerly supported the Nazis, as well as the beloved Nazi slogans which are often exactly what our enjoy politicians rush us to internalize — for example, about the superiority of the public interest over the private one.

Anyone with objective an ounce of interest in new knowing and political history will bag watching this DVD a disturbing as well as riveting experience.

I expected the entire documentary to focus on the influence of Nietzche’s writings on the ideology of National Socialism. But instead the first 1/3 is solely devoted to the rise of the Nazis. Topics discussed include how such a barbaric movement was able to carry out power in the original, educated nation of Germany and the horrific devasation wrought by the Nazis, including the assassinate of over 12 million Jews, Slavs, homosexuals and others.

The middle section explains the basics of Nietzsche’s philosophy. Ideas discussed include his opinion that Europe had been weakened by its acceptance of a Judeo-Christian ethic that promoted self-restraint and caring for the awful and sickly. Instead Nietzsche believed in striving for power, seeking dangerous adventure and the triumph of the strong over the veteran. To attain this people must close depending on reason and return to their instinctual drives and impulses. This would eventually lead to a accelerate of Supermen who would buy humankind to fresh levels of greatness.

The final 1/3 discusses the similarities and differences between the beliefs of Nietzche and the Nazis. For example, while Nietzche was staunchly opposed to the Judeo-Christian tradition he was not actually anti-Semitic. In fact, Nietzche would have undoubtly been horrifed by many aspects of National Socialism, including the Holocaust. But it is also certain that the Nazis were heavily influenced by the writings of Nietzche and extinct them as an ideological justification for their murderous atrocities.

This doc serves as an suited intro to the philosophy of Nietzche as well an provocative discussion of the relationship between his ideas and those of the Nazis.
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postheadericon Stream The Great Mouse Detective Movie Online

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Movie Title: The Great Mouse Detective
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The year is 1897 in London. Young mouse Olivia Flaversham (Susanne Pollatschek) lives happily with her father Hiram Flaversham (Alan Young) who is a toymaker. But when her father is kidnapped, Olivia intends to secure him befriend. Aided by Doctor David Q. Dawson (Van Bettin), they go to catch the notorious, legendary detective, Basil of Baker Street (Barrie Ingham) . At first Basil is reluctant to support her but when he discovers that his improper arch-nemesis, Professor Ratigan (Vincent Trace) is gradual Flaversham’s kidnapping, Basil decides to investigate. As they follow clues and spend ‘elementary thinking’, the mice try to outwit the obnoxious Ratigan if they are to put all of mousedom!

An incredibly charming movie, Disney gives us a fun and provocative film for all ages. When I was very young, I was an avid watcher of ALL Disney animation films. But I remember that besides “Robin Hood”, “Lion King”, and “Aladdin”, “The Astronomical Mouse Detective” was my most accepted! I venerable to search for over and over. Unfortunately, over the years I strayed away from watching the ragged Disney classics until honest the other day when I was rearranging my videos. I came across “The Substantial Mouse Detective” and I remembering how remarkable I loved it, decided to gaze it. And my, it’s unbelievable how well I remembered it! I was able to say all the lines and recount all the songs while aloof totally enjoying myself!

My point in saying all of this is that the stale Disney classics are… well… classics gems! Nothing objectionable for parents to be aware of for their kids, unbiased some romping great fun. “The Broad Mouse Detective” has it all; mystery, humor, a huge setting (London), action, and suspense. And I can’t forget to mention about the intelligent characters, each and everyone incredibly likable. My current characters are Basil (of course, he’s the hero!) and Fidget (Candy Candido, who has done the voices of characters in Disney movies “Sleeping Beauty”, “Peter Pan”, and “Robin Hood”) . And I must mention that Vincent Impress doing the express of Professor Ratigan is a must peep. I have always been a fan of his, listening to some of the musty radio shows (example, “The Saint”), seeing some of movies, even watching him guest star on the worn tv display “The Man from UNCLE”. Fair watching this movie for the chance to hear Vincent Label is worth it all.

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And the music is also well-done by Henry Mancini and there are some fun songs:

“The World’s Greatest Criminal Mind” (Vincent Stamp) – A rousingly laughable song, I treasure the section where Ratigan begins strumming his harp!

“Let Me Be Grand To You” (Melissa Manchester) – When this chorus mouse starts off this song, you’re at first not positive what’s going on. But after a while, I’m certain you too will launch kicking your feet up to the beat!

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“Goodbye So Soon” (Vincent Imprint) – Tremendous song, can’t succor but teach along each time though at this point in the movie, things are looking dire for Basil and his friends.

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I can certainly recommend this movie for both kids and adults. Be Pleased! Here are a few animated trivia I found:

*~*Shortly before his death, he said that one of his most common roles was the explain of Professor Ratigan in the Disney feature “The Grand Mouse Detective”, especially since two unusual songs had been written for him.

*~*Basil of Baker Street and Dr. David Q. Dawson are named after Basil Rathbone and Nigel Bruce, who played Sherlock Holmes and Dr. Watson together in several films. Also, in the film, we actually glimpse the shadow of the ‘real’ Sherlock Holmes, and the mutter is actually done by Basil Rathbone.

*~*The clock tower scene is the first major consume of computer animation (the clock’s gears) in a feature-length lively film.

*~*Impressed with Alan Young’s performance of a near-authentic Scottish accent for the convey of Hiram Flaversham, studio brass cast him as the express of the Scottish-accented Scrooge McDuck in a series of Disney film and television projects. He became the official direct of the tightwad duck.

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*~*During the recording of Vincent Price’s lines, animators sketched his exaggerated Shakespearean gestures and worked them into the interesting poses for Ratigan.

Among the selections of movies in the helpful Sherlock Holmes reference book `Sherlock Holmes on Screen: The Complete Film and TV History’ by Alan Barnes is this 1986 Disney concoction that is equal fraction musical, comedy, thriller, suspense and children’s movie. In fact, as Barnes points out, this feature has many more Holmesian elements than many live action movies that happen to have the character Sherlock Holmes among its cast list.

Indeed this clever consuming movie owes a tremendous deal to its literary roots and is based on Eve Titus’ book `Basil of Baker Street.’

Living underneath the apartment of the celebrated Sherlock Holmes at 221 Baker Street is a mouse named Basil. Shaped primarily on the Rathbone interpretation of the character, Basil is the most notorious detective in all of mousedom and is sure to track down his deplorable nemesis Prof. Ratigan (wonderfully played with definite like by Vincent Mark) .

Basil’s chance comes when he is approached by the daughter of a kidnapped toymaker named Flaversham. Initially uninspired and uninterested in the girls search for her abducted father Basil becomes decidedly more keen when she reveals that one of those responsible is a bat with a peg leg.

The bat is a known as a henchman for Ratigan and soon Basil races off into another adventure to race down the dismal genius.

The animation in the movie is top notch, the songs arresting and the humor – well comic, but where this movie falters a minute is in sail. I would say it is honest a slight too long and slower paced than I expected. It’s a very satisfying movie certainly, and a `must-own’ for Sherlock Holmes fans (Basil Rathbone’s notify is even heard in one scene), but there are moments where it seems to prance and other moments where you wish the characters would terminate singing and fair accumulate on with developing the status.

Great fun for the kids and people who are composed a kid at heart/
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postheadericon Streaming Harry Potter and the Order of the Phoenix Online

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Movie Title: Harry Potter and the Order of the Phoenix
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Harry Potter and the Order of the Phoenix is available for streaming or downloading.

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I assume that when you engage the longest Harry Potter book and turn it into the shortest Harry Potter film, that a enormous number of complaints by fans as to what has been nick will be inevitable after they look “Harry Potter and the Order of the Phoenix.” Not that this means that the legions of fans will be bitterly disappointed by the film version, but rather that there will be regrets over not getting to peruse well-liked scenes on the mask. For example, Quidditch is completely out of the film, denying Ron of his best moments in the sun (commence singing “Weasley is our king”) . So do not be surprised when your mind keeps shifting to what has been cleave and distracting you from time to time while watching this summer’s latest blockbuster.

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When last we left our hero, Harry fell victim to a trap to bring aid Lord Voldermort, which cost Cedric Diggory his life. The Ministry of Magic wants things hushed up, but Dumbledore tells the students at Hogwarts that Diggory was murdered and Lord Voldermort murdered him. As this fifth film opens Harry and his imperfect cousin Dudley are attacked by Dementors. Harry uses his wand to defend them and is summarily expelled from Hogwarts for using magic in front of a muggle. The respectable news is that Harry gets reinstated, but the poor news is that the Ministry of Magic uses the opportunity to appoint Dolores Umbridge, Senior Undersecretary at the Ministry, as the school’s current Defense Against the Sad Arts professor. However, Umbridge teaches only the theory and not the practice because she insists Harry is a liar and there is nothing the students need to learn to defend themselves from. Then things obtain progressively worse.

“The Order of the Phoenix” was the most maddening book to read, not because it was the longest, but because I abhor Dolores Umbridge. As far as I am concerned she makes Voldermort eye safe, because he knows he is unpleasant, imperfect, abominable, mean and defective inside, while Umbridge thinks the ends elaborate the means. She is puritanical, sadistic and hypocritical. If there were not going to be children reading this review I would utter you what I really believe of her. Suffice it to say, she makes me sick and I do not even pick pleasure in loving to despise her, which is why my only requirement going into the film is that the Weasley Twins bag their moment of glory when they become the disloyal opposition to the original order at Hogwarts.

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Daniel Radcliffe continues to have the tote the heavy load in these films as Harry, with Rupert Grint’s Ron Weasley being reduced more and more often to reaction shots while Emma Watson’s Hermione Granger remains the Mistress of Exposition in these films. Alan Rickman as Snape remains pitch perfect casting and Gary Oldman as Sirius Dim is also a joy to gawk, but I discovered in this film that I really like Michael Gambon’s performance as Dumbledore, mainly because he always plays up the character’s intelligence and I derive I win his interpretation to that of the behind Richard Harris, forgive my heresy. Imelda Staunton does not witness as considerable like a toad as Umbridge does in the book, but she captures the character’s detestability from launch to effect. We are always painfully aware how risky she is, whether she smiles or not. Also, Evanna Lynch steals more scenes as Luna Lovegood than Katie Leung does as Cho Chang, and it is certainly keen to explore Neville (Matthew Lewis) towering over everybody, with Ginny Weasley (Bonnie Wright) in the soundless but strong role for the pivotal sextet.

After seeing this film I raced home and got out my copy of the book and starting cataloguing things that had been slice. Such comparisons are, as I suggested up top, inevitable for anyone who has read the book. At this point what I missed the most were some of the conversations between Maggie Smith’s Professor McGonagall and Umbridge where Minerva verbally flaws the Inquisitor. The omission that I am focusing on the most is the whole bit about why Neville’s family was a target of Voldermort (I agree with Harry: always say his name and thereby lop its power), since that suggests implications for what will happen in the final book, which gets released in unbiased ten more days. I also would have liked to have seen an over reaction to Harry discovering his father bullied Snape at Hogwarts. My celebrated fraction ends up being the impressive wizard’s duel between Voldermort and Dumbledore. Screenwriter Michael Goldenberg does a wonderful job of whittling down Rowling’s book and director David Yates does a competent job, but fans will simply want more. Also, we know what happens in the next book and all of the abominable things that happen in this film cannot succor but seem inconsequential in comparison. Plus, fans will be distracted by mining this film for clues as to what will happen in the last book.

I fancy Harry Potter, OK? So before you freak out, let me collect that out of the intention. The book version “Order of the Phoenix” was oustanding. I also mediate that previous directors have done blooming agreeable to astronomical jobs of translating the books to film (though I must say things went a itsy-bitsy downhill once Chris Columbus left.)

All that being said, here’s the kicker:

The movie “Harry Potter and the Order of the Phoenix” played like a Cliff’s Notes adaptation of the book.

It lopped off a lot of the charm and romance and heartfelt pathos of the book— as well as a lot of the pure creative touches— in order to secure the main arc of the epic down. On top of that, it made “adaptations” to the book in order to come by the account consuming along— yet all these “compromises” were actually worse than what JK Rowling originally wrote!

Don’t contain me? Here is only SOME of what is defective with this movie:

–Poor devlopment of the Harry/Cho Chang arc (The kiss is about all you secure. No actual feeling leisurely it at all. No devlopement of Harry’s crush. No final wreck up argument on Valentine’s Day.)

–Making Cho into an putrid snitch (which is why she and Harry broke up in the movie.) In the movie SHE is the one who betrays Harry. Slow.

–No hospital scenes. No meeting of Neville’s parents.

–Perfunctory explanation of Grimmaud Space

–Perfunctory development of Occlumency

–Harry gets to hear the prophecy while standing in the Department of Mysteries rather than later with Dumbledore. On top of this, he gets to hear the prophecy impartial by holding it in his hand. That makes no logical sense at all!

–The Department of Mysteries itself is compressed down into one room (the room with the prophecies.) All the cold rooms (with the blue lights, the 12 doors, the clocks, the brains, and so on) are all impartial ignored. Those were such substantial inventions by JK Rowling–perhaps some of the most creative stuff in all the books– that I can’t occupy they impartial prick them!

–The room with the arch is made into a really dull plot.

–The battle scene is really short and rather uninteresting.

–Snape’s memory of being tortured by James Potter and his argument with Lily Potter is compressed into literally a total of 4 seconds of film. That scence is so PIVOTAL to the rest of the book series that I can’t occupy they got away with not fully developing the scene.

On top of all these position issues, the WORST fragment about this movie is that there was really no FEELING in it. The whole range of emotional arcs that are so well-developed in the book are done absolutely terribly in the movie. Yeah, Sirius dies. In the book, it is a devatating moment. In the movie, it’s like “Oh, well.” Harry, Ron and Hermione don’t have many moments together. There is no laughing in the movie. We don’t win to feel pathos for Neville because his parents are insane. We don’t score to feel the gratefulness of the Weasleys when Harry saves Mr Weasley. There are no lighthearted moments. Almost every scene except one or two that could have developed the emotional attachment we feel to the characters has been summarily excluded.

Like one other reviewer said: The movie is too short, yet it feels too long.

That is, sorry to say, a perfect description of a hack job.

I am quite disappointed.
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postheadericon Stalker: A Film by Andrei Tarkovsky Movie Streaming

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Movie Title: Stalker: A Film by Andrei Tarkovsky
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The title STALKER is quite misunderstood because many believe it is a translation from a Russian word that means ‘to stalk.’. Actually Tarkovsky’s script inserted the word STALKER thinking it was a catchy English equivalent for something like a Russian pathfinder or guide. In that context, the central character’s role is better understood, for he spends time leading the writer and scientist toward discovery and revelation, which they ultimately cannot conclude. STALKER is a masterpiece of imposed reality on the viewer. Get no mistake: this film is very difficult to cease with without your utmost attention. Limited artifice, few physical elements, hardly any dwelling, STALKER exists as a dash that draws your mind, heart, and soul into the nature of human existence. Only those colorful and sensitive enough to bolt Tarkovsky’s waves of feeling, emotion, and idea can comprehend his message of possible salvation and redemption through adore and persistent searching for human truth. The writing on the video box implies this is another sci fi film, but clearly it is not. Tarkovsky’s big films are mythical allegories in the tradition of Pilgrim’s Progress or Piers Plowman. For me, Tarkovsky is the ultimate challenge in vivid film making, because he presents and discusses his ideas only in the context of the film itself, not unbiased as a media vehicle to hiss. What strikes me most is his absolutely consistent sense of breeze in all his films: expressionless, deliberate, but fluid and highly organic. He is one of the few immense masters of film as an art get.

This is a film about faith, divine grace and the fruitless vanity stemming from our soul’s novel sin. To quote from one of the characters in the film,” My mind preaches vegetarianism, but my heart longs for a juicy fraction of steak.” And this is the premise of the three characters poke into the Zone – to gape out their steak: to obtain the Room in the Zone that will grant them their wishes; and this coming from the very same people whose professions demands higher standards of good living from them, careers that require them to preach vegetarianism. Of course they have failed in their lives professions, and the characters know this but their inner chaos stem from the private effort in their lives, their failure to live up to their calling and their denial/certainty about their indivisual failures and states of their tarnished souls. Although Stalker is someone who leads others into the the Zone as a guide, his purpose apparently being to befriend others gather their wish and thus bring about happiness for others, yet Tarkovsky hints that Stalker’s outward explaination is dubious as he will not hesitate to originate scapegoats and guinea pigs of his clients in the face of uncertainty and exertion. As for Writer, he is, yes, a writer who is going into the Zone to gape and beg for inspiration and faith in life as a whole; until Writer can net this wish, his cynicism and lack of faith can be summed up in one of his quotes:” A writer can only write about his readers.” Professor is a scientist whose reason for seeking out the Room is unspecified until at the very destroy of the film but I will not remark his reason.He is a researcher who has to beget his boss’s fury and defintely hates his job at the lab. Many tremendous cinematic moments are to be found in the film, in fact the film is one grand cinematic moment non-stop, even after it ends, and this can be attributed to Tarkovsky’s shimmering handling of every aspect of the film; one can even go so far as to say that with this film tarkovsky proved that he is easily the Einstein of cinema. His vision is earth shattering, deviating almost completely from the new intentions of the writers of a new on which the film was based. The ending when it is revealed the reason why one of the guides of the Zone hanged himself despite obtaining a wish from the Room will blow away anyone who lives in the frustrated knowledge of life and all our mortal desires as an empty vainity of vanities without the presence of God and selfless like. The editing, location designs, music and lighting, the human choreography, the wisdom and everything in this film qualifies it as the best film ever made. Totally unique without trying to be. If you only witness one film for the rest of your life this has to be it! It will gain you want to live better, stirring profound thoughts and feelings within you long after the film’s over. This is more than a film, it’s almost a miracle. The British impress ARTIFICIAL Scrutinize apparently has better English subtitles and shows the complete film without cuts unlike the American version, or so I read.
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